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With their home left in ruins and ripped away from their mother, what’s left is a tale of two
kids still clinging onto one another alone in an uncharitable world, fending for themselves as best they can. But without a hopeful ending, it’s more akin to watching a slow death play out than otherwise. Director Isao Takahata makes these opening scenes count. In such a short span of time, he places the audience in a position where emotional attachment with the main characters feel genuinely crafted. We’re instantly drawn to Setsuko’s abundant wonder and childlike innocence, and likewise support Seita as he must transform into the parental figure his sister will need. We realise how food scarcity and a general lack of resources impacts them both above all others. And naturally, we can only feel sorry for the two. Their circumstance and untimely demise lie out of their control as both are reduced to mere numbers tallied to the body count their country holds.
For a film that illustrates a tragedy not suitable for most children, Grave of the Fireflies’ greatest strength lies in the fact that it exists as an animated feature. There are several instances where gratuitous images are lingered on, never shying away from the bleakness of these scenes. So brutal, that had the film been made as a live-action, could easily have crossed the line from harrowing to simply unbearable for most.
jp (in Japanese). Archived from the original on October 29, 2016. Retrieved
August 25, 2016. ^ a b c "第2クール エンディングテーマ エミリア(CV:高橋李依) 「Stay Alive」" [Second
cour ending theme: Emilia (CV: Rie Takahashi) "Stay Alive"]. Re-zero-anime. jp (in Japanese).
