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However, Japanese influence became more apparent in games following The Wind Waker. They still hold many western influences and Twilight Princess was specifically based on Wild West stories. Breath of the Wild firmly returns the series to its Western influence via its focus on exploring a land akin to European and Near East fantasy, with notable exceptions such as the Yiga Clan and Sheikah taking Asian influences, with the Sheikah warrior Impa in the prequel, Hyrule Warriors: Age of Calamity, fighting with a Hand Seal usage and Ninja Run that has gotten compared to Naruto. Meanwhile the Link's Awakening remake has more Japanese influences. Much like its sibling series, the Zelda series has its share of Western adaptations. Metroid has always aimed for an American comic book look with the atmosphere from Hollywood sci-fi, though several games post-Fusion showed more Japanese influence. Panel de Pon has an artstyle and themes that are highly influenced by Western Children's High Fantasy series like Rainbow Brite and My Little Pony. Pokémon normally has a Japanese style, but Pokémon Trozei! uses much more simplistic, stylized, and angular designs on the human characters that brings series like Dexter's Laboratory and The Powerpuff Girls (1998) to mind. The Punch-Out!! games are extremely cartoony with over-the-top cartoon caricatures of international stereotypes. The games also draw heavy influence from many Western boxing films like the Rocky series and Raging Bull. The Splatoon series is what would happen if you asked Nintendo to take everything that made 1990s Nickelodeon what it was, and design it into a game.

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But the list of producers on The High Road . shows that Jojo is more concerned with harder beats and soulful sounds. "[122] JoJo is a mezzo-soprano and her singing voice has been widely acclaimed by music critics, one of whom ranked it among "the best in the game",[123][124] while her R&B recordings have been compared to the likes of R&B singers Brandy and Monica. [125][126] Describing her as a "vocal phenom", Entertainment Weekly's Leah Greenblatt enthused that JoJo is "capable of Mariah Carey-style upper-register flourishes". [127] Vocally, critics frequently draw comparisons between JoJo and singers Kelly Clarkson and Beyoncé,[128][129] while Slant Magazine's Sal Cinquemani remarked that the singer "could very well be the next Teena Marie". [130] At times some of her material and use of melisma has been criticized for being overproduced and overused, respectively. [131] Emma Morgan of Yahoo! Music dismissed JoJo as "mercilessly multi-tracked à la J. Lo, her voice encoded flatteringly as she too-many-notes her way through a succession of R'n'B beats and hooks that owe everything to studio wizardry and little to simple songwriting", lacking experience and soul. [132] While admitting that JoJo is "surprisingly adept at frenzied, sexually possessed hollering", Alex Macpherson of The Guardian believes that the singer "is, however, at her best when compulsively dissecting emotional situations straight out of high-school movies via the medium of big, heartfelt choruses". Kazé (in French). November 12, 2019. Archived from the original on June 27, 2020. Retrieved June 28, 2020. ^ a b c d e Fujimoto, Yukari (December 15, 2000). 少女まんが魂 [The Spirit of Shōjo Manga] (in Japanese). Hakusensha. pp. 207–235. ISBN 4-592-73178-6. ^ a b c Dennison, Kara (August 25, 2019).