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Archived from the original on March 26, 2023. Retrieved March 26, 2023. ^ Sayyed, Rayan (February 7, 2023). "Suzume Releasing in Indian Cinemas This April". IGN India. Archived from the original on February 7, 2023.


These issues stuck out like a sore thumb on second viewing, partly due to how simplistic the film feels in its presentation. Grave of the Fireflies is often seen as the Ghibli feature to break away from the conventional family-friendly films the studio has produced, and while it does deliver on an unflinching war film not suitable for all ages, it also just so happens to lack the whimsical spirit that gave those other films such striking personality. Takahata has his strengths, from his interest in realistic imagery to his sense of social responsibility as a director, yet here his style feels neutered to a point where little personality can be found in the directing. He’s not Miyazaki, but the film appears contempt in what it wants to achieve, never aiming for more than the core emotional attachment felt though the script. Each scene is carefully calculated, but never ambitious in their purpose. Even the cheerful moments only balance out the hell Seita and Setsuko are in, never acting as driving components for either character.

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October 18, 2022. Archived from the original on October 18, 2022. Retrieved October 23, 2022. ^ Japanese TV animation weekly ratings in the Kantō region: Episode 27: Hodgkins, Crystalyn (October 16, 2021). "Japanese Animation TV Ranking, October 4–10". Anime News Network. Archived from the original on June 5, 2023. Retrieved December 20, 2023. ^ a b "🎬Limited-Time YouTube Upload Announcement🎬 《Blue Exorcist》 & 《Blue Exorcist: Kyoto Saga》". Muse Asia via YouTube. December 26, 2023. 2 2 2 1 1060 days ago Ch Chapter 35. 1 2 1 1060 days ago Ch Chapter 35 6 2 2 2 2 2 1 1 1060 days ago Ch Chapter 34. 6 2 1060 days ago Ch Chapter 34. 5 2 2 1 1060 days ago Ch Chapter 34. 4 2 1060 days ago Ch Chapter 34. 3 2 1060 days ago Ch Chapter 34.
[23] He also felt the need to get started on the series right away since it was around 1998 and the end of the century was approaching. [23] Although he creates a "movie trailer" in his head when starting a new series, Urasawa does not plan the story out in advance. For example, a young woman appears in the first chapter pulling a curtain open to reveal a giant robot (as envisioned in the trailer). While writing that scene Urasawa could hear a baby crying in the convenience store next door and included that in the manga, thus it cuts to 1997 with Kenji and a crying baby Kanna in a convenience store. The author did not initially know that Kanna would grow into that young woman. [22] When asked if scenes in 20th Century Boys reflect his own childhood experiences, Urasawa said about 1/10 did. He also explained that the spoon bending seen in the series was based on Uri Geller. [24] A few weeks before the September 11 attacks, Urasawa turned in a manuscript for 20th Century Boys where two giant robots fight and destroy buildings in Shinjuku. But after the attacks, the artist could not bring himself to illustrate that scene and created a chapter almost entirely devoted to Kenji singing a song, in order to express how he felt. [22][25] When Urasawa began 20th Century Boys in 1999, he was already writing Monster semimonthly and continued to serialize both at the same time. Although he was briefly hospitalized for exhaustion at this point, Monster ended in 2001 and Urasawa began writing another series simultaneous to 20th Century Boys in 2003 with Pluto.