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^ Camp & Davis, 2007 pp79–80 ^ a b c d e f Patten, Fred (March 31, 2003). "'Cowboy Bebop: The Movie'. At Last". Animation World Network.
[SMALL-TEXT]]oshi no ko 124
1Main 2. 2Supporting 2. 2. 1Seuli High School 2. 2. 2Others 3Episodes 4Production 5Original soundtrack Toggle Original soundtrack subsection 5. 1Extraordinary You: Original Soundtrack 5. 2Singles 6Ratings 7Awards and nominations 8Notes 9References 10External links Toggle the table of contents Extraordinary You 25 languages العربيةCatalàDeutschEspañolفارسیFrançais한국어ՀայերենBahasa IndonesiaItalianoKreyòl ayisyenMagyarBahasa MelayuMinangkabau日本語PortuguêsRomânăРусскийSuomiSvenskaTürkçeУкраїнськаTiếng Việt吴语中文 Edit links ArticleTalk English ReadEditView history Tools Tools move to sidebar hide Actions ReadEditView history General What links hereRelated changesUpload fileSpecial pagesPermanent linkPage informationCite this pageGet shortened URLDownload QR codeWikidata item Print/export Download as PDFPrintable version In other projects Wikimedia Commons From Wikipedia, the free encyclopedia 2019 South Korean television series Extraordinary YouPromotional posterAlso known asJuly Found by ChanceSuddenly One DayHangul어쩌다 발견한 하루Literal meaningHa-ru Found by ChanceRevised RomanizationEojjeoda Balgyeonhan Haru GenreFantasyRomance[1]ComedyBased onJuly Found by Chanceby Moo RyuyeeDeveloped byKim Dae-jinWritten byIn Ji-hyeSong Ha-youngDirected byKim Sang-hyeop [ko]StarringKim Hye-yoonRowoonLee Jae-wookLee Na-eunJung Gun-jooKim Young-daeLee Tae-riOpening theme"Walk This Sky"
by Park Se-joon & Woo Ji-hoonEnding themeVarious themes[a]ComposerPark Se-joon et al. [2]Country of originSouth KoreaOriginal languageKoreanNo. of episodes32[b]ProductionExecutive producerKim Dong-raeProducersMoon Joo-hee
Namkoong Sung-wooCamera setupSingle-cameraRunning time35 minutes[b]Production companiesMBC Drama ProductionRaemongRaein Co. , Ltd. In the third and final year of junior high, some of Hinata's friends agree to join the club so he can compete in a tournament. In his first official game ever, they suffer a crushing defeat to the team favored to win the tournament – that included third-year Tobio Kageyama, a prodigy setter nicknamed 'The King of the Court' for both his skill and his brutal play style. The two spark a short rivalry, and after the game, Hinata vows to defeat Kageyama in high school. Hinata studies and is accepted to Karasuno, the same high school the "Little Giant" played for, but is shocked to discover that Kageyama has also chosen to attend Karasuno. [4] Karasuno is revealed to have lost its reputation as a powerhouse school following the era of the Little Giant, often being referred to as 'The Wingless Crows' by other local teams. [5] However, by combining Kageyama's genius setting skills with Hinata's remarkable athleticism, the duo create an explosive new volleyball tactic and develop an unexpected but powerful setter-spiker partnership. Along the way, Hinata and Kageyama push each other into reaching their full potential, and Hinata develops relationships with his first real team, thus beginning Karasuno's journey of redemption to restore their reputation and make it to the Nationals. Both Hinata and Kageyama aspire to be professional volleyball players, and make a promise to one another after they graduate from high school that no matter what, they will both play on the same court again. They have a remarkable bond and devote their lives to each other and the sport of volleyball. Media[edit] Manga[edit] Main article: List of Haikyu!! chapters Written and illustrated by Haruichi Furudate, Haikyu!! was initially published as a one-shot in Shueisha's seasonal Jump NEXT! on January 8, 2011. [6] A second one-shot was published in the shōnen manga magazine Weekly Shōnen Jump on April 25, 2011.
If there is any takeaway from this, it’s not only that animated properties being so overtly meta is here to stay, but that it is also a highly-profitable venture. After all, no company is going to change their course if it affects their bottom line. To the company, there’s a simple credo to follow: whether it be about specific properties or about an entire genre’s convention, give the audience a wink. Let them know that you “get it. ”
And in the realm of anime, metacommentary also has its home. I’m not only referring to overall productions that have been regarded as having some kind of meta remarks or supposedly-deconstructive genre assertions like *Neon Genesis Evangelion,* but even the casual remarks that characters make in any kind of story, like the above quotation I left.
And in the realm of anime, metacommentary also has its home. I’m not only referring to overall productions that have been regarded as having some kind of meta remarks or supposedly-deconstructive genre assertions like *Neon Genesis Evangelion,* but even the casual remarks that characters make in any kind of story, like the above quotation I left.