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What depth it lacks in the theme department, it more than makes up for in the character department, and not simply because they brought Hisashi Eguchi back from the grave. Natsume stated in an interview, “Sonny Boy is a simple story about a boy growing up and people drifting apart,” and the only reason he imagined it with such an abstract presentation was simply because “life can be absurd and inexplainable sometimes, and you find yourself asking ‘Why?’ a lot. ” To me, this is very obvious. The tangible plot of Sonny Boy is a straightforward mystery box which just so happens to have a great deal of surreal elements, but this simplicity is a good thing, because with all the symbolism and character details you already have to keep track of, any narrative structure more complex than this would’ve been way too overbearing and—now that I mention it—probably would’ve made the series as confusing as everyone already says it is. What makes the cast so good is a combination of the expressive character animation I mentioned earlier and the fact Natsume personally wrote the script for every episode, making every character feel consistent.
Besides Match of the Millennium, which came out later in 1999, this is the most-sought-after fighting game for the NGPC. The TFT LCD screen removed the blur that was evident in R-1, and the addition of color added depth to the characters and backgrounds. It also featured a Dreamcast link, so you could connect an NGPC to a DC using a special cable and exchange skills with King of Fighters '99. Metal Slug X (1999, NeoGeo)
Also appearing on: PlayStation (2001)
Metal Slug X is basically a remixed version of Metal Slug 2. It included the frequent slowdown as well as new weapons like the laser beam. In addition to adding new enemies and weapons, it was also significantly harder than Metal Slug 2.