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Although he was unable to take the title from the veteran champion Eiji Date, he managed to defeat the champion Takeshi Sendō, taking the belt and defending it a total of eight times, while simultaneously building a reputation as the unofficial king of the OPBF. His durability and fighting spirit are considered to be his greatest attributes; each unparalleled in Japan. When he started out, the public view of Ippo as nothing more than an average boxer, however, after his win against amateur world champion Alexander Volg Zangief, others saw that he had grown as a boxer and recognised that a new star of the world of boxing had been born. [61] As he fought in more matches, his popularity grew, and even after disappearing from the rankings during his second retirement, his name would still be mentioned around the world. WBA featherweight world champion Ricardo Martínez, who only sparred with him once, still remembers him whenever his name is mentioned to him, gaining some interest in Ippo[62][63] His unrelenting flurry of blows have earned him the title "Wind God". While retired, he was able to keep up with the active IBF junior lightweight world champion Volg and lightweight world title contender Ryō Mashiba, making them get serious.

Light Novel News [ja] (in Japanese). May 17, 2023. Archived from the original on August 4, 2023. Retrieved August 4, 2023. ^ a b 『青春ブタ野郎はゆめみる少女の夢を見ない』のコミカライズ連載が開始. Light Novel News [ja] (in Japanese).

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29-year-old Satoru Fujinuma is sent back in time 18 years to prevent the events leading to his mother's death, which began with a series of kidnappings while he was in 5th grade. 29-year-old Satoru Fujinuma is sent back in time 18 years to prevent the events leading to his mother's death, which began with a series of kidnappings while he was in 5th grade. StarsShinnosuke MitsushimaTao TsuchiyaMinami TakayamaSee production info at IMDbProIMDb RATING8. 5/1057KYOUR RATINGRatePOPULARITY1,75822Top creditsStarsShinnosuke MitsushimaTao TsuchiyaMinami Takayama197User reviews9Critic reviewsSee production info at IMDbProAwards9 wins & 15 nominationsEpisodes13Browse episodesTopTop-rated1 Season2016Videos1Trailer 1:42Watch Official TrailerPhotos114Top castEditShinnosuke MitsushimaSatoru Fujinuma (29-years-old). 12 eps • 201612 episodes • 2016Tao TsuchiyaSatoru Fujinuma (10-years-old). Their spirits arrive at their destination: a hilltop bench overlooking present-day Kobe, surrounded by fireflies, healthy and content. Voice cast[edit] Character Japanese voice actor English voice actor Skypilot Entertainment/CPM (1998) Toho/Seraphim/Sentai (2012) Seita Yokokawa (横川 清太) Tsutomu Tatsumi J. Robert Spencer Adam Gibbs Setsuko Yokokawa (横川 節子) Ayano Shiraishi [ja] Corinne Orr Emily Neves Mrs. Yokokawa (横川 さん) Yoshiko Shinohara [ja] Veronica Taylor Shelley Calene-Black Seita and Setsuko's aunt Akemi Yamaguchi [ja] Amy Jones Marcy Bannor Seita and Setsuko's cousin Kazumi Nozaki Shannon Conley Unknown Doctor Hiroshi Kawaguchi Dan Green David Wald Production[edit] Development[edit] Incendiary bombs being dropped onto Kobe, the setting of the filmGrave of the Fireflies author Akiyuki Nosaka said that many offers had been made to make a live-action film adaptation of his short story. [6] Nosaka argued that "it was impossible to create the barren, scorched earth that's to be the backdrop of the story". [6] He also argued that contemporary children would not be able to convincingly play the characters. Nosaka expressed surprise when an animated version was offered. [6] After seeing the storyboards, Nosaka concluded that it was not possible for such a story to have been made in any method other than animation and expressed surprise in how accurately the rice paddies and townscape were depicted. [6] Isao Takahata said that he was compelled to film the short story after seeing how the main character, Seita, "was a unique wartime ninth grader". [7] Takahata explained that any wartime story, whether animated or not animated, "tends to be moving and tear-jerking", and that young people develop an "inferiority complex" where they perceive people in wartime eras as being more noble and more able than they are, and therefore the audience believes that the story has nothing to do with them. Takahata argued that he wanted to dispel this mindset.