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01) 9 RE: February 4, 2017[17]978-4-04-104879-5September 18, 2018[29][30]978-1-975-30174-3 "RE: Kayo Hinazuki" "RE: Kenya Kobayashi, Part One" "RE: Kenya Kobayashi, Part Two" "RE: Sachiko Fujinuma" "RE: Airi Katagiri" Anime[edit] An anime television adaptation produced by A-1 Pictures aired on Fuji TV's Noitamina programming block from January 8 to March 25, 2016, and was simulcast on Crunchyroll, Daisuki, Funimation and AnimeLab. [31] The series was directed by Tomohiko Itō and written by Taku Kishimoto, with character design by Keigo Sasaki. The opening theme is "Re:Re:" by Asian Kung-Fu Generation, while the ending theme is "Sore wa Chiisana Hikari no Youna" (それは小さな光のような, "It's Like a Small Light") by Sayuri. [32][33] The series is licensed in North America by Aniplex of America, in Australia by Madman Entertainment, and in the United Kingdom by Anime Limited. [34][35] Aniplex of America announced that the series would receive an English dub in May 2016. [36] The series was simulcast in certain countries in Southeast Asia with English subtitles on Aniplus Asia and is available to stream on Iflix in Malaysia, Thailand, the Philippines, Indonesia, Sri Lanka and Brunei with English subtitles.

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And let's not forget Street Fighter III and its two sequels, which landed between 1997 and 1999. When you factor in all of the Marvel Comics games and the recent SNK vs. Capcom games, Capcom has produced more than 20 separate fighting games during the past 15 years. Capcom followed up in 1992 with Street Fighter II: Champion Edition, a sped-up version of Street Fighter II that also allowed you the luxury of controlling the game's four boss characters. SNK responded with Art of Fighting, which didn't knock people off their feet with its highly derivative gameplay and joke characters, but it did manage to impress all the same, thanks to its use of scaling characters and backgrounds--a technique that would later be put to use in the madly successful Samurai Shodown series. Art of Fighting used scaling graphics to make characters fill the screen as they fought in close quarters. Throughout the 1990s, Capcom and SNK continually responded tit for tat with newer and better fighting games. Capcom would ultimately release 10 sequels to Street Fighter II, along with various Marvel Comics-themed fighting games, while SNK would go on to release six Fatal Fury sequels, four Samurai Shodown games, and 10 installments in the King of Fighters franchise. And that's not even counting SNK's stable of offbeat fighting games, such as Last Blade, Kizuna Encounter, or Matrimelee. On a humorous side note, the main figure responsible for many of the later Fatal Fury, Samurai Shodown, and King of Fighters sequels in SNK's lineup was Takashi Nishiyama, who had initially worked on Street Fighter II for Capcom! It's no wonder that arcade-goers in the 1990s would get into heated arguments about which company's characters would win fights against the other company's characters. The same people were making these games! It only makes sense that the two companies would ultimately join forces to make the Capcom vs. "[8] When he introduced the latter two characters in volume three, the author had early plans to make Kurama a main character but was not certain about Hiei. [7][8] The manga's shift from occult detective fiction to the martial arts genre after Yusuke's death and revival in the early chapters was planned by Togashi from the beginning. [8] He took this idea from the series Kinnikuman, which began largely as a comedy before concentrating more on action. [7] Togashi's intention was to establish the main characters and familiarize the reader with them before placing them in tense, physical conflicts. His editor at the time was nervous of him beginning the manga this way and recommended he transition to a battle-focused plot after about 30 chapters. [7] YuYu Hakusho borrows many elements from Asian folklore, particularly Buddhist beliefs in the afterlife.