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It's a matchup for the ages. 9. The Abyss25m The second round begins. At a huge size disadvantage, Cosmo Imai discards his signature grappling moves when facing the monolithic Seishu Akoya. 10. Deathmatch25m Seishu Akoya lives by his own code of sadistic justice. On the brink of death, Cosmo Imai has a revelation that puts him back in the fight. 11. The Devil25m As Ohma faces Raian of the Kure clan, other Kure assassins are on the move outside the ring. The life of Yamashita's eldest son hangs in the balance. 12.Finally, CLAMP, the well-known manga artist team who did the designs for Code Geass, put out their own artbook, entitled Code Geass x CLAMP: Mutuality. [citation needed] Internet radio broadcasts[edit] "Code Geass" has also been adapted into a series of weekly internet radio broadcasts, which were streamed online on the BEAT☆Net Radio! portal, the first of which, Code Geass: The Rebellion Diary (コードギアス 反逆日記, Kōdo Giasu: Hangyaku Nikki), began streaming from October 6, 2006. It featured Sayaka Ohara (voice actor of Milly Ashford) and Satomi Arai (voice actor of Sayoko Shinazaki). The second, Code Geass – Mountains of the Rebellion (コードギアス 反逆の山々, Kōdo Giasu Hangyaku no Yamayama), was first streamed on December 12, 2006, and were hosted by Jun Fukuyama (voice actor of Lelouch) and Noriaki Sugiyama (voice actor of Rivalz). During R2, a new show named Code Geass – LuluKuru Station (コードギアス ルルクルステーション, Kōdo Giasu Rurukuru Suteishōn) was streamed, hosted by Fukuyama and Takahiro Sakurai (voice actor of Suzaku). [citation needed] Reception[edit] Critical response[edit] Code Geass has achieved great success and earned critical acclaim since its release. Anime News Network's columnist Todd Ciolek attributes the soaring popularity of Code Geass to "the series hitting every important fan sector", with the audience appeal points ranging from a "complex cast of characters and a fast-paced story, told with Goro Taniguchi's capable direction" for "general-interest fans" to "pretty and just-a-little-broken heroes" for "yaoi-buying female fans". [85] Carl Kimlinger also finds that the series "has the skill and energy to carry viewers over the top with it, where they can spend a pleasurable few hours reveling in its melodramatic charms. "[86] He also adds that Taniguchi "executes the excesses of his series with care, skillfully intercutting events as Lelouch's plans come together (or fall apart) and using kinetic mecha combat". [87] T. H.
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