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Requesting for the two's assistance, Boruto attacked with his clones followed by Temari repelling the thief out sight, resulting in them escaping. Boruto attacking Shikadai while being controlled. When protesters began accusing the Kaminarimon Company of corrupt practises, Boruto suspects that the Byakuya Gang is behind it. That night, the newly graduated genin teams are given section assignments in regards to handling the protesters by Kōtarō Fūma before departing. While Team 7 is stationed in their position, Boruto noticed Team 10 breaking formation, leading to him investigating the matter. Learning that Shikadai believed the Ninjutsu Research Centre is the Byakuya Gang's real target, the four hurried to the building, where they discovered the thieves had stolen Katasuke's Magnum Opus. Tracking them using Katasuke's scientific tool, the groups splits, during which Boruto followed Shikadai who chased after Gekkō and another member. Confronting the thieves on the Thunder Train they jumped on, the genin are trapped and Boruto placed under genjutsu. Thinking Shikadai is an enemy, they fought until Shikadai released the genjutsu. While Shikadai handled Ryōgi, Boruto attempted to apprehend Gekkō, but was pushed away and watched Gekkō detach the train carriages to escape. Assisting Shikadai, the two free Ryōgi from Gekkō's genjutsu.

Archived from the original on November 20, 2012. Retrieved December 2, 2012. ^ 荒木飛呂彦×GUCCI再び!SPURで徐倫やブチャラティら共演. Natalie. mu. December 22, 2012.

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[25] In the meantime, he came up with the idea that "a character more like 'me' than 'I', the protagonist, to the people around 'me' " is created on the Internet without 'my' knowledge. [16][18][19] The character is "the past me" for the protagonist, and this "other me" that should have existed only on the Internet has materialized due to external factors (the consciousness of the fans who want the protagonist to be like that) and internal factors (the protagonist's regret that she might have been more comfortable in the past). And then the composition that the character and the protagonist herself confronted emerged. [18][19] It was only then that he became convinced that this work could be established as his own video work. [18][19] Kon decided to interpret the original story above as a story about an idol girl who was broken down by a sudden change in her environment or by a stalker who targets her, and wrote a completely new script with Sadayuki Murai. [18][19] Initially, Murai wrote the first draft of the script, and Kon added or removed ideas from it. They spent a lot of time discussing, and many of the ideas came out of that. [19] Next, Kon wrote all the storyboards, where he also made changes to dialogue and other elements. [16][19] The drawing work was also carried out in parallel. [16] The company that purchased the videogram and television rights to Perfect Blue before the film was completed advised the distributor to submit the film to the Fantasia International Film Festival in Montreal, Canada, so that it could be released overseas first. [21] Since it was his first film, director Kon was still unknown. He enters the tournament in the hopes of fighting Ohma and to be killed by him as his ultimate form of affection. Media[edit] Manga[edit] Kengan Ashura is written by Yabako Sandrovich and illustrated by Daromeon. It was serialized in Shogakukan's online platform Ura Sunday and in the MangaONE app from April 18, 2012 to August 9, 2018. [10][11] Shogakukan collected its chapters in twenty-seven tankōbon volumes, released from December 18, 2012 to February 19, 2019. [12][13] A sequel, titled Kengan Omega (ケンガンオメガ), began its serialization on Ura Sunday and MangaONE on January 17, 2019. The sequel is set two years after the events of the original series. [14] Shogakukan has collected its chapters into individual tankōbon volumes. The first volume was released on February 19, 2019. [15] As of April 12, 2023, sixteen volumes have been released. [16] Both series are licensed digitally in North America by Comikey. [17] Volume list[edit] Kengan Ashura[edit] No.