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Nouchi, who was the editor-in-charge at the time had a policy that was consistent with the idea that he wanted to draw a story about how rough looking guys would do their best. At the time, "Meimon! The Third Baseball Club” (名門!第三野球部) was a work on the magazine, and Nouchi suggested for Morikawa to draw his characters with a similar muddy look. Morikawa disliked the thought of a "bad protagonist", viewing it as unbalanced to an artist. Morikawa wanted some special features on the protagonist's face, and Nouchi suggested to give him big ears like Suguru Egawa (江川卓). Morikawa's decision of giving Ippo thick eyebrows was his own, and at this point this Ippo was close to the current Ippo. Just like in "Hajime no Ippo", Ippo was still a passive child. [149] As the Hajime no Ippo storyboard was being made, the setting of Ippo being the son of a fishing boat shop was taken from a boxer named Suhara Ryūichi (須原隆一), who also won and became the Japanese light flyweight champion. Morikawa thought "A child who is weak and had not played sports, suddenly starting boxing and standing out" means it needs to be repaired. He believed that if he wanted to have a senior high school student have a good match worthy of being ones rival, he has to be some sort of genius or give him background. "Because I'm always on the swinging fishing boat, I can always put my hand out even when I'm hit and lose my balance. With my overwhelming strength of my legs, I can concentrate energy in my fist.
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