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Seiyuu: As usual, no problems here. Mima's seiyuu is outstanding (she later went on to play Tomoyo in Cardcaptor Sakura, Ceres in Ceres: Celestial Legend, and Akane in My-HiME (Higurashi), My-Otome and My-Otome Zwei (Soir)).
Dub: N/A, didn't watch it.
Length: I honestly don't know what more they could've done with this film; the film wraps up at close to an hour and a half. (Actually, knowing Kon, maybe I don't want to know. ) And it seems just right, because of the fast pace that it clips along at, while still managing to make sure that everything that the audience needs to understand is included.

June 2007. Viz Media. 12. ^ a b c d e von Feigenblatt, Otto F. (July–December 2012). "Japanese Animation as a Global Product: The Lingering Traces of Nijonjinron and the Rise of Globalism and Hybridity". Journal of History & Social Sciences. 3 (2): 1–14. SSRN 2195562. ^ Kubo, Tite (2004). "Chapter 6".

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Famitsu (in Japanese). August 28, 2011. Archived from the original on September 12, 2011. Retrieved December 15, 2021. ^ Roman 2007, p. 68-69. ^ "Top Selling Anime DVD Movies". Anime News Network. January 31, 2006. Archived from the original on February 11, 2007. Retrieved January 13, 2022. But I understand there should be an expected level of plot armoring and suspension of disbelief afforded when it comes to these shows so I will give it some leeway. Instead, this review will focus more so on the myriad of reasons why this show doesn’t even work in an entertaining sense.
First and foremost, it’s the animation. For some surreal reason, some people actually think the animation in this show is good. The characters are drawn decently and the food looks realistic enough. But most importantly, the actual animation of the football? Really? For the people complaining about the work of the CG in another popular series that aired the same season that I just so happen to adore–You should be up in arms here with knives and pitchforks screaming “Sic ‘em!”; it’s hideous. But the biggest and most heinous animation problem are the still frames filled with exposition that completely ruin the flow of each play. Matches are shown in these constant close ups of the characters slowly gliding across your screen as you hear the play happening in their head. But the play itself is never actually explicitly shown. It's reminiscent of those imovie projects you had to do for middle school where you couldn’t quite figure out how to get the images to stop moving with the ken burns effect as you try your best to match your squeaky dialogue with the 4 second image overlay. It’s an embarrassing production.
The anime makes their roles prominent enough that they influence the anime, not just being extras. For instance, Misuzu had a history with Jun including being his boyfriend for a short period. Carol serves as a modern day rival against Tomo, at least from her perspective. The anime makes it clear that Tomo wants Jun's attention so when other girls enters his life, hilarity ensures. With childhood romance themes, one thing to be aware is the characters' pasts. Jun, Tomo, and Misuzu gets their background stories and compared to the present, their characters hasn't undergone much change. The only major difference now is how Tomo wants to be more feminine. Misuzu sometimes offer advice but it's ultimately up to Tomo to put her plans into action. This anime adapts a plot in sitcom-like format that has characters go to various places (ex. beach, school plays, festivals) for their opportunties. Let's face it, for a romance to work, it needs opportunities.