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The height of the head is considered by the artist as the base unit of proportion. Head heights can vary, but most anime characters are about seven to eight heads tall. [65] Anime artists occasionally make deliberate modifications to body proportions to produce super deformed characters that feature a disproportionately small body compared to the head; many super deformed characters are two to four heads tall. Some anime works like Crayon Shin-chan completely disregard these proportions, in such a way that they resemble caricatured Western cartoons. Wikipe-tan (#1) portrayed in various anime art styles. Counting from No. 2 to 9, each art style base: original work, Kyoto Animation, Naruto, Type-Moon, Case Closed, Sailor Moon, Fujiko Fujio, Studio Ghibli, and Makoto Shinkai. A common anime character design convention is exaggerated eye size. The animation of characters with large eyes in anime can be traced back to Osamu Tezuka, who was deeply influenced by such early animation characters as Betty Boop, who was drawn with disproportionately large eyes. [66] Tezuka is a central figure in anime and manga history, whose iconic art style and character designs allowed for the entire range of human emotions to be depicted solely through the eyes. [67] The artist adds variable color shading to the eyes and particularly to the cornea to give them greater depth.

Along the way, Ippo learned from Yagi that Kamogawa went to a gym in the area to pick up tapes of Ippo's next opponent, however, Kamogawa caused an incident there. When they arrive at the Sennindai Police Station where Kamogawa got released, they find out that the coach of the Tsukahara gym was beaten with Kamogawa's cane. Ippo, Yagi and Kamogawa listened to the coach's story of how his boxer, Kyōsuke Fukui fought Ippo's next opponent and won in a fixed match, with his boxer retiring shortly after due to the shame of his opponent losing on purpose. The Tsukahara coach pleaded to Ippo for him to beat his next opponent, Filipino champion Malcolm Gedo before leaving. Ippo defeating Fukui. After returning to the Kamogawa gym, the recently retired Fukui requested to spar against Ippo to test himself.

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Now unlike many, the fact that the original adaptation didn't follow the manga for much of its run was something that I wasn't overly concerned about, and there's a very good reason for this too. One of the issues I had with the manga, and in turn Brotherhood, was the fact that the tale is far more "shounen" than the original adaptation, and this difference in not only plot and story content, but overall perspective as well, is noticeable in a number of areas.
As far as pacing, plot, and depth of story goes, Full Metal Alchemist does lose out somewhat to Brotherhood, however this is partly due to the fact that Arakawa Hiromu had far more time to produce a story that worked, whereas the writers for the original adaptation only had part of Arakawa's work to play with, and had to make up the rest.
Normally this would be the cause for a number of issues, not the least of which is continuity, however Full Metal Alchemist never really suffered from those except where the numerous, and unnecessary, comedy moments were included. That said, what the writers achieved was actually quite remarkable, as they produced a tale that is very clearly about one thing only - obsession - and in that respect, they actually managed to score quite a major coup over Arakawa's tale.
Some of you may be a tad confused by where this is all going, but fear not, it will become clearer as we get into more detail. Let's talk more about the actually show itself for a moment though.
In terms of looks, the original adaptation managed to transpose the characters fairly well, and while they didn't really require any bouts of creativity in general, there were a few new faces as, at the time, the manga hadn't actually introduced all the players. As for the various locations in which the characters find themselves, the first adaptation generally followed the path laid down by the manga, however there were also some surprisingly original and inventive additions to the various locales, many of which are unique to this particular adaptation.
Strangely enough though, the quality of the animation is almost the same as that of Brotherhood, and given the large degree of crossover in both adaptations, this is actually surprising as usually one version is greatly superior to the other. That said, the new series does have the advantage of seven years of improvements in animation, so one would be forgiven for thinking the margin between the two would be bigger. 6 Chapter 154 Chapter 153 Chapter 152 Chapter 151 Chapter 150 Chapter 149 Chapter 148 Chapter 147 Chapter 146 Chapter 145 Chapter 144 Chapter 143 Chapter 142 Chapter 141 Chapter 140 Chapter 139 Chapter 138 Chapter 137 Chapter 136 Chapter 135 Chapter 134. 3 Chapter 134. 2 Chapter 134 Chapter 133 Chapter 132 Chapter 131 Chapter 130 Chapter 129 Chapter 128 Chapter 127 Chapter 126. 2 Chapter 126 Chapter 125 Chapter 124 Chapter 123 Chapter 122. 5 Chapter 122 Chapter 121 Chapter 120 Chapter 119 Chapter 118 Chapter 117 Chapter 116 Chapter 115 Chapter 114 Chapter 113 Chapter 112 Chapter 111. 5 Chapter 111 Chapter 110 Chapter 109 Chapter 108 Chapter 107 Chapter 106 Chapter 105 Chapter 104 Chapter 103 Chapter 102. 2 Chapter 102 Chapter 101 Chapter 100. 2 Chapter 100 Chapter 99. 4 Chapter 99. 3 Chapter 99. 2 Chapter 99 Chapter 98.