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^ Loo, Egan (August 1, 2011). "2011 Hunter x Hunter Anime to Retell Story From Start". Anime News Network. Archived from the original on July 6, 2020. Retrieved July 6, 2020. ^ Green, Scott (September 25, 2013). ""Hunter x Hunter" Anime Moves to Late Night". Crunchyroll. Archived from the original on April 7, 2016. Retrieved July 6, 2020. ^ Nelkin, Sarah (August 17, 2014).

Archived from the original on December 25, 2021. Retrieved March 2, 2022. ^ Loo, Egan (May 30, 2023). "Top-Selling Manga in Japan by Series: 2023 (1st Half) — Blue Lock Sells 8 Million After Anime". Anime News Network. Archived from the original on May 31, 2023.

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Shounen no Abyss is a Coming of Age, Psychological Drama Manga by Minenami Ryou, most famous for Himegoto: Juukyuusai no Seifuku, a drama of similar genre but wildly different thematics. In Abyss, Ryou attempts his darkest story to date with our protagonist Reiji Kurose and his suicidal tendencies suffering from an overbearing life, dysfunctional family and uncertain future. If you have read other Manga of this genre then this tiny synopsis will probably familiarlize you due to an abundance in the medium that have also tackled the strife of youth indifference, most famously Oyasumi Punpun. Shounen no Abyss makes genuine waves to stand on the same wavelength of the classic by giving very legitimate structure and reason to the nature of the manga and Reiji Kurose's issues. There is legitimate thematic weight to not only Kurose but the abundance of supporting characters, each with their own unique pain and reasons to their own problems.
However, sadly this Manga seems to suffer from it's affiliation with Young Jump and thusly it's purpose as a Seinen. Now, my speculation here is not to be taken for verbatim. However, there is little else that could explain the bizarre sexualization and characterization inside the series. Minenami Ryou has dabbled in ecchi in the past but to place nudity within Shounen no Abyss to the point where it dabbles on the line of ecchi/fan-service is a bizarre choice to say the least. Now, sex and romance (or lack thereof) is most certainly apart of Coming of Age and a massive causation of depression worldwide and of course most importantly, within Japan. Though, in no good mind can I find the reason for the female characters to be one minute rendering their soul apart in double page spreads of pure outbursts of sorrow, anguish and rage to the next issue be throwing themselves on our main character as if he was lathered in aphrodisiac. The Korea Economic Daily (in Korean). Retrieved February 15, 2020. ^ Lee, Ji-hyun (February 21, 2020). "'이태원 클라쓰' OST 7 '우린 친구뿐일까' 오늘(21일) 공개 [공식]". The Chosun Ilbo (in Korean). Retrieved February 21, 2020.
Despite feeling humiliated Starlia loves him even more and is determined to become worthy of him. Olto Zora slaughters many humans. Due to his extreme old age Borgius knows he will die soon anyway, so he volunteers to use all the human blood to temporarily regenerate his body for one last suicide attack. 10,000 dragons attack the base and Ragna begins to duel Taratectra. 13"Hero of the Battle"
Transliteration: "Senjō no Shuyaku" (Japanese: 戦場の主役)Kentarou Iino
Tomonori MineDeko AkaoMina OkitaJanuary 14, 2024 (2024-01-14)[c] Starlia’s men are traumatised when they are forced to fight and kill Olto Zora’s army of chemically hypnotised civilians, many of whom are still awake enough to beg for their lives before dying. In response Starlia sends Greya, Hesela and their flying squad to locate Olto Zora. After a brutal fight Ragna only succeeds in cutting off Taratectra’s arm. Still unaware Ragna is the silverine warrior he is searching for Taratectra leaves the injured Ragna to be killed by his dragon servants. Ragna is abruptly rescued by Shin and Garm. Outraged by Ragna’s suicidal insistence on fighting alone, Shin challenges him to another duel despite being surrounded by dragons. Ragna loses the duel and is ashamed his stubbornness has allowed Shin’s determination to surpass his own.