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15 years later, feeling guilty traveling America in a soba food truck, he discovers that Kanna's mother has gone there to try to manufacture the vaccine for the outbreak of 2015 and saves her life. But they are captured by the Friends and sent back to Japan. After being released, they form the "Frogdoom" commune in Higashimurayama, Tokyo. [8] In the live-action film series, his full name is given as Keitaro Fukuda (福田 啓太郎, Fukuda Keitarō). Mon-chan (モンちゃん) A childhood friend of Kenji's whose real name is Masaaki Shimon (子門 真明, Shimon Masaaki). He moved to Germany and became a rugby player before retiring to take care of his ailing mother. After her passing, he started his own business with a partner. He returns to Japan to attend Donkey's funeral, and later answers Kenji's call to arms on Bloody New Year's Eve. Mon-chan survives the event, but prior to this, he was diagnosed with a terminal illness. He is later seen hospitalized in 2002 due to his disease, showing Yukiji the information he has collected while investigating the Friends. Mon-chan suddenly leaves the hospital with no warning and disappears, which is later revealed to have been to contact Sadakiyo in an attempt to investigate further, not knowing Sadakiyo's involvement in the group. He stated, "She gets inspired on her own, follows up on her own imagery, and comes to me saying 'this is the song we need for Cowboy Bebop', and composes something completely on her own. "[39] Kanno herself was sometimes surprised at how pieces of her music were used in scenes, sometimes wishing it had been used elsewhere, though she also felt that none of their uses were "inappropriate". She was pleased with the working environment, finding the team very relaxed in comparison with other teams she had worked with. [33] Watanabe further explained that he would take inspiration from Kanno's music after listening to it and create new scenes for the story from it. These new scenes in turn would inspire Kanno and give her new ideas for the music and she would come to Watanabe with even more music. Watanabe cited as an example, "some songs in the second half of the series, we didn't even ask her for those songs, she just made them and brought them to us. " He commented that while Kanno's method was normally "unforgivable and unacceptable", it was ultimately a "big hit" with Cowboy Bebop. Watanabe described his collaboration with Kanno as "a game of catch between the two of us in developing the music and creating the TV series Cowboy Bebop". [39][45] Since the series' broadcast, Kanno and the Seatbelts have released seven original soundtrack albums, two singles and extended plays, and two compilations through label Victor Entertainment. [46] Weapons[edit] The guns on the show were chosen by the director, Watanabe, and in discussion with set designer, Isamu Imakake, and mechanical designer, Kimitoshi Yamane. Setting producer, Satoshi Toba said, "They talked about how they didn't want common guns, because that wouldn't be very interesting, and so they decided on these guns.