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( 'ω'o[お知らせ]o TVアニメ『#神達に拾われた男』第9話より、リーリン役で出演いたしました! バンブーフォレストの新入社員です👕✨ こんなに素敵な会社で働けるなんて、感謝感激雨あられネ!これからどうぞよろしくお願いいたします!https://kamihiro-anime. com (Tweet) (in Japanese). Retrieved March 1, 2023 – via Twitter. ^ a b c d e Loo, Egan (August 7, 2020). "By the Grace of the Gods Anime Unveils More Cast, Theme Song Artists". Anime News Network.

10". Viz Media. Archived from the original on June 6, 2021. Retrieved June 6, 2021. ^ 地獄楽 11 (in Japanese). Shueisha.

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6K282 days agoVolume 4 Chapter 19Byleth4589+10. 6K282 days agoVolume 4 Chapter 20Byleth8645+11. 8K282 days agoVolume 5 Chapter 21Byleth3595+11K282 days agoVolume 5 Chapter 22Byleth3578+10. 5K282 days agoVolume 5 Chapter 23Byleth5586+10. 6K282 days agoVolume 5 Chapter 24Byleth5584+10. 5K282 days agoVolume 5 Chapter 25Byleth6623+11. 2K282 days agoVolume 6 Chapter 26Byleth10575+10. 3K282 days agoVolume 6 Chapter 27Byleth10587+9. 9K282 days agoVolume 6 Chapter 28Byleth4549+9. 6K282 days agoVolume 6 Chapter 29Byleth4547+9. 6K282 days agoVolume 6 Chapter 30Byleth5712+12. "[90] In contrast, a common criticism of the anime was its inconsistent character animation, one that was described as "low budget" as characters appeared off-model. [86] Koichi Kikuta responded by stating such design was intentional, hoping to "bring out the individuality of each character" rather than the prettier artwork in the light novels; to do this, Kikuta's animation displayed "their more human sides, like their unflattering traits and their distressed moments. "[36] Crunchyroll's Kim Morrissy considered the animation to be humorous, especially fitting in a comedic anime. [86] Kotaku writer Richard Eisenbeis explained much of the series' humor derives from the deconstruction of Kazuma's hopes of becoming the hero of a fantasy world, instead realizing he is forced to struggle his way through the world. [85] Comparing Kazuma's problems in a fantasy world to those in real life, Creamer wrote about a sense of relatability between the series' protagonists and the audience, as the party deals with issues like debt and taking questionable jobs because of high pay. On a critical note, Creamer disapproved of Kazuma's negative attitude, which he felt harmed the comedy in the series. [88] KonoSuba's characters, especially those in Kazuma's party, have garnered favorable reactions in the anime community. Creamer described the group as possessing a "strange but endearing chemistry," as the members are unfriendly with one another, yet are close. [88] Morrissy added the party's "emotional bond is also evident in the ways they interact with each other. My favorite thing about the anime is that it takes the time to draw these nuances out onscreen and express them with visual flair. "[86] Megumin in particular has been considered one of the series' most popular characters, winning Sneaker Bunko's official Favorite KonoSuba Character poll.
[81] For the second season, the first opening theme is "Ignite" by Eir Aoi, and the first ending theme is "Startear" by Haruna. [83] The second opening theme is "Courage" by Tomatsu,[84] and the second ending theme is "No More Time Machine" by LiSA, with the third ending theme being "Shirushi" (シルシ), also by LiSA. [85] The song "Catch the Moment" by LiSA is used as the theme song to Sword Art Online: Ordinal Scale. [86] For the third season, the first opening theme is "Adamas" by LiSA, and the first ending theme is "Iris" (アイリス) by Eir Aoi. [87] The second opening theme is "Resister" by Asca, and the second ending theme is "Forget-me-not" by ReoNa, with episode 19 featuring "Niji no Kanata ni" (虹の彼方に, Beyond the Rainbow), also sung by ReoNa. [88] For the second part of the third season, the first opening theme is "Resolution" by Tomatsu, and the first ending theme is "Unlasting" by LiSA. [89][90] The second opening theme is "Anima" by ReoNa, and the second ending theme is "I will. " by Eir Aoi. [91] The song "Yuke" (往け) by LiSA was used as the theme song to Sword Art Online Progressive: Aria of a Starless Night,[92] while the song "Shinzō" (心臓, Heart) by Eir Aoi was used as the theme song to Sword Art Online Progressive: Scherzo of Deep Night.