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[30] Further, articles in these magazines contributed to the history of the genre by retroactively labeling certain works as
yuri, thus developing "a historical canon of the yuri genre. "[60] Specifically, Verena Maser notes in her analysis of issues of Yuri Shimai, Comic Yurihime, and Comic Yurihime S published from 2003 to 2012 that eight of the ten most-referenced series in the magazines predate the 2003 formalization of yuri as a publishing genre: Apurōzu - Kassai (1981–1985), Sakura no Sono (1985–1986), Sailor Moon (1992–1996), Cardcaptor Sakura (1996–2000), Revolutionary Girl Utena (1997–1999), Maria-sama ga Miteru (1998–2012),
Loveless (2002–present), and Strawberry Marshmallow (2002–present). [6] 2010s–present: Genre diversification[edit] While schoolgirl romances remained popular into the 2010s and 2020s, notably Kase-san (2010–2017), Citrus (2012–2018), Bloom Into You (2015–2019), and Whisper Me a Love Song (2019–present), yuri works during this period began to incorporate new genres, themes, and subject material. [61] The mid-2010s saw yuri works expand to genres such as science fiction and isekai, as
well as the formalization of shakaijin yuri (社会人百合, lit. "member of society yuri") as a subgenre focused on stories involving adult women. [61] The growth of digital platforms like Pixiv, Twitter, and Shōsetsuka ni Narō allowed for the creation and widespread distribution of yuri works outside of traditional manga magazine and dōjinshi publishing: My Lesbian Experience With Loneliness (2016) was originally published as a web comic, while the yuri fantasy works Sexiled (2018–2019), Roll Over and Die (2018–present), and I'm in Love with the Villainess (2018–present) began as web novels on Shōsetsuka ni Narō before being adapted into other mediums. [61] Yuri stories by openly lesbian creators also became more prominent, such as My Lesbian Experience With Loneliness. [62] Concepts and themes[edit] Intimacy between women[edit] Yuri as a genre depicts intimate relationships between women, a scope that is broadly defined to include romantic love, intense friendships, spiritual love, and rivalry. [63] While lesbianism is a theme commonly associated with yuri, not all characters in yuri media are necessarily non-heterosexual; Welker states that the question whether yuri characters are lesbians is a "very complicated issue. "[64] Characters in yuri works frequently do not define their sexual orientation in explicit terms, and the matter is instead left to reader interpretation. [65] Rica Takashima notes Western and Japanese fans often have differing expectations for the level of intimacy depicted in yuri, which she ascribes to cultural differences between the groups.
Light uses the notebook to kill high-profile criminals and is
visited by Ryuk, a "shinigami" and the Death Note's previous owner. Ryuk, invisible to anyone who has not touched the notebook, reveals that he dropped the notebook into the human world out of boredom and is amused by Light's actions. [5] Global media suggest that a single mastermind is responsible for the mysterious murders and name them "Kira" (キラ, the Japanese transliteration of the word "killer"). Interpol requests the assistance of the enigmatic detective L to assist in their investigation. L tricks Light into revealing that he is in the Kanto region of Japan by manipulating him to kill a decoy. Light vows to kill L, whom he views as obstructing his plans. L
deduces that Kira has inside knowledge of the Japanese police investigation, led by Light's father, Soichiro Yagami. L assigns a team of FBI agents to monitor the families of those connected with the investigation and designates Light as the prime suspect. Light graduates from high school to college. L recruits Light into the Kira Task Force. Actress-model Misa Amane obtains a second Death Note from a shinigami named Rem and makes a deal for shinigami eyes, which reveal the names of anyone whose face she sees, at the cost of half her remaining lifespan.
His brain was then transplanted into Kiriko's body. Now known as Kiruko, she started searching for her missing friends. After telling Maru this, the duo finds themselves attacked by a fish-like Hiruko. With Kiruko out of firepower, she and Maru are chased by the monster until it is altered by the marijuana hidden inside, leaving Maru to perform the finishing move on the creature. Meanwhile at the school, Tokio sees a group of faceless babies. Shortly after that, a fellow student named Tarao suffers a disease and tries to kiss Tokio. After leaving the ship, Maru and Kiruko continue their journey on foot where the former
gets into a fight with delinquents. 3 October 23, 2019[31]978-4-06-517266-7April 5, 2022[32]978-1-63442-962-7 "Tarao 2" (タラオ2, Tarao 2)"Tarao 3" (タラオ3, Tarao 3)"100% Safe Water" (100%安全水, Hyaku pāsento anzen sui)"Totori" (トトリ)"The Immortal Order 1" (不滅教団1, Fumetsu kyōdan 1)"The Immortal Order 2" (不滅教団2, Fumetsu kyōdan 2) Fearing another fight, Kiruko hides Maru in a room while she sells items she has found. Meanwhile, Tarao passes away due to his terminal disease much to the shock of the students with Kona remembering another late student, Asura. As they comfort each other, Kona and Tokio start a relationship. Back during their search for Heaven, Maru and Kiruko
hunt a Hiruko only to be shocked by the fact it is a wild bear.
