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Léonard attacks Fabienne in her home and demands to know where Assane lives, but Fabienne refuses to give him the information. To his horror, Assane returns to discover her body hanging from the ceiling. 55"Chapter 5 – Étretat"Marcela SaidGeorge Kay and François Uzan8 January 2021 (2021-01-08) Following Fabienne's death, Assane gives her dog, J'accuse, to Benjamin. On Raoul's birthday, Assane surprises him with a top hat and cape and takes him and Claire on a train trip to a Lupin-themed festival in Étretat. Léonard, who has begun pursuing Assane, follows the family onto the train, with orders from Hubert to get rid of Assane but to leave Claire and Raoul alone. Assane spots Léonard and fights him in a storage closet at the back of the train, managing to lock him inside. As the train pulls into its destination, however, Léonard escapes the closet and sits beside Raoul. In an attempt to manage the situation, Assane instructs his family to
disembark ahead of him and manipulates the local police into arresting Léonard by suggesting that he is Paul Sernine. After Assane catches up, the family makes it to the festival without incident. While Raoul explores the beach by himself, a concerned Claire questions Assane about Léonard but grows distressed when he avoids telling her the truth. Assane
promises that he will stop hiding things from her in the future and asks her for one more chance to prove himself.
075 Vol. 09 Ch. 074 Vol. 09 Ch. 073
Comedy Romance Seinen Sports Mature Trending Mangamore 1
Gensou Gourmet Vol. 06 Ch. 035 2 Skeeter Rabbit Vol. 02 Ch. 019 3 TANKOBU Ch. 002 4 Nijiiro Photograph Vol. 02 Ch.
[10] Oda was "sensitive" about how his work would be
translated. [11] In many instances, the English version of the One Piece manga uses one onomatopoeia for multiple onomatopoeia used in the Japanese version. For instance, "saaa" (the sound of light rain, close to a mist) and "zaaa" (the sound of pouring rain) are both translated as "fshhhhhhh". [12] Unlike other manga artists, Oda draws everything that moves himself to create a consistent look while leaving his staff to draw the backgrounds based on sketches he has drawn. [13] This workload forces him to keep tight production rates, starting
from five in the morning until two in the morning the next day, with short breaks only for meals. Oda's work program includes the first three days of the week dedicated to the writing of the storyboard and the remaining time for the definitive inking of the boards and for the possible coloring.
