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Itsuki Hashima is a light novelist obsessed with little sisters, strictly
focusing on them when he writes his stories. Despite his personality, he is surrounded by a tight circle of
friends: Nayuta Kani, a genius yet perverted novelist who is in love with him; Haruto Fuwa, a fellow male author whose work has seen considerable success; Miyako Shirakawa, a good friend that he met in college; and Chihiro, his perfect younger step-brother who takes care of the housework and cooking. Together, they play strange games, go on spontaneous journeys, crack silly jokes, and celebrate each other's successes. However, each individual must
also deal with their own issues, whether it is struggling to meet a deadline or coming to terms with traumatic events
buried in their past. [Written by MAL Rewrite] StudioSILVER LINK. SourceLight novel ThemesAdult CastOtaku CultureWorkplace 7. 26 338K Add to My List Motto To LOVE-Ru 332853 7. 27 20101006 Motto To LOVE-Ru TV, 2010Finished 12 eps, 24 min Comedy Sci-Fi Ecchi Motto To LOVE-Ru Rito Yuuki never gets a break—he's always finding himself in lewd accidents with girls around him. Although his heart still yearns for Haruna, his childhood love, Rito can't help but question his feelings for Lala, the alien princess who appeared in front of him and declared she would marry him. But now, it's not just Lala he has to deal with: her younger twin sisters, Momo and Nana, have also traveled to Earth, wanting to meet their older sister's fiancé, and just as luck would have it, they end up staying at Rito's home. Meanwhile, amidst the bustle of his new family members, Yami, the human weapon girl, begins her pursuit for Rito.
And when we find someone whose weirdness is compatible with ours, we join up with them and fall into mutually satisfying weirdness — and call it love — true love. ” – Robert Fulghum
I find it quite the fascination of not just the OST that Horimiya has, but more of less its visuals and the intended
picture of how people are supposed to perceive both the small and big moments, and
this is something that I have to give the animators credit for. Starting off with the OP, it's interesting that there's 2 variations of Miyamura's theme: the 1st half where Miyamura is just like his old self, from reaching for the cube alone to most characters feeling dejected and frustrated, to the 2nd half where Hori's hand reached out for Miyamura with the cube, to the director's credit roll of him slicing the monochrome feel to showcase the colours of life with happiness overflowing. Capping off with the ED, it's using the twixt of a mix of animation in a dress-up model style between the central couple. Even with scenes that are depicted in the style of the OP of the potential couple-like feels, it's these Easter Eggs that not everyone will notice, but I thought it's worth mentioning. As for both OP and ED, it sounds great, no faults there.
The director got the impression that
Maru meets Kiruko from a place where he does not know his own past, and gradually gains an ego. On the other hand, Kiruko is in a complicated situation with Maru, and has a past that is too heavy for her to handle alone. As a result, he enjoys the two and thinks it is a mutually complementary relationship. [21] Tokio is seen as a pure adolescent-like character. She has a different kind of purity than Maru, and he gets the impression that Maru has managed to maintain his innocence even though he has been through a lot of hardships, but Tokio has lived without being exposed to
external pressure. Mori think he is a character that symbolizes the interest and disgust of various things that are born in adolescence. [21] Mori believes that the original work already contains the message that Ishiguro wants to convey, so the production side does not add anything else as a plus, but this work really has many elements, such as disasters, technology, and so on. He also thinks it would be nice if the viewers could choose what to pick up among the scattered elements and how to enjoy it, and feels that it is a work that has the bosom to be able to do that. increase. That is why Mori think it is his responsibility in making anime to properly convey that in a way that does not distort it too much. The hints are drawn from the first episode, so Mori is glad if the audience could see it from various perspectives, such as being curious about the mystery or liking the world view of Maru and Kiruko traveling through the ruins.
