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9% (24th) 26 3. 1% (37th) 27 November 14, 2019 2. 7% (35th) 28 3. 0% (36th) 29 November 20, 2019 3. 0% (37th) 30 3. 3% (33rd) 31 November 21, 2019 2.
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^ テレビ朝日『国民15万人がガチで投票!漫画総選挙』ランキング結果まとめ! 栄えある1位に輝く漫画は!?. animate Times (in Japanese). Animate. January 3, 2021. Archived from the original on January 3, 2021. Retrieved January 3, 2021. ^ Friedman, Nicholas (December 6, 2020). "Welcome to a World of Magic! Mushoku Tensei: Jobless Reincarnation Streams This Winter on Funimation". Funimation. Archived from the original on February 3, 2021. Retrieved December 6, 2020. Whenever a named character's dish is being eaten, the eater will, without fail, squeal and convulse in nigh-orgasmic delight, then describe the taste and cooking technique with purple prose so thick as to make Lovecraft blush, accompanied by some kind of illustrated simile. This style of presentation may appeal to the technically minded, but grows tiresome and repetitive over the course of the season's 24 episodes. It's hard to be impressed with the main characters' skills when just about every dish is treated like Manna from Heaven and one can expect to hear terms like "umami" and "depth of flavour" thrown around ad nauseum. For this reason, Food Wars works best when the leads are forced to come up with creative solutions, focusing shifting the focus away from sensory spectacle and more on to problem solving.As a story, Food Wars walks a well-trodden path, focusing first and foremost on Soma's ambition to reach the highest echelons of Tōtsuki Academy and surpass his father in terms of culinary skill. Despite the school setting, characters are rarely shown learning or training, instead preferring to throw its leads from one sink-or-swim challenge to another, trusting the audience to assume that they already have the necessary skills with maybe a flashback or post hoc explanation as to how the characters developed them. This isn't an invalid method of storytelling per se, but it's easy to see how some people could be turned off from the show because of it. Characters that play antagonistic roles will generally show some combination of smugness, elitism and outright corruption, to the point where one starts to wonder if Tōtsuki is even that good of a school. For example, in an early episode, the character Erina Nakiri oversees the school's entrance exam and refuses to admit that she enjoys Soma's cooking, causing him to fail. In another, an instructor attempts to expel Megumi for altering a recipe, despite having only done so to compensate for the deliberately poor produce that she had been forced to use. As such, the show ends up fighting an uphill battle when it inevitably attempts to portray these characters in a more understandable ore even sympathetic light.