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The dialogue between them felt quite natural and organic, like bros just having a great time together, rather than forcing romance into the dynamic in a contrived manner. That said, as this show has quite a focus on human nature, there is an element of romance there, but it’s more that the show tries to explore human emotions, sexuality, and gender, so how the relationship is handled is quite natural and interesting to watch. They both have past traumas, and I have stated in my past reviews about my disdain for “sob story backstories”— but when an anime can build upon the traumatic past with developments in the present time, it can work well. In this case, it was handled quite well in this anime to create a coming of age narrative for the protagonists, as they tried to find meaning in this mess of a world they found themselves in. The children in the nursery admittedly were quite abundant and difficult to follow along at times, but with some thought, some of them still ended up being very endearing in their own ways along with the protagonists of the outside world.

If you like magic school and harry potter type stories too it would be easily pleasing for you.
I can also recommend watching the first two for understanding if the comedy works for you even if you are generally not interested in this genre. Reviewer’s Rating: 8 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by SpRayquaza11 (108) Show allRead moreShow lessOpen Gift Report Feb 12, 2024 ayramchan Mixed Feelings To start this madness, we are introduced to a world where all human beings are born with the gift of magic, but this changes when a child without this ability emerges, Mash Burnedead, a teenager full of muscles but devoid of magic. Considered an aberration, Mash takes refuge in the forest until one day he is caught and forced to attend a magic school a la Hogwarts.
"Mashle" combines references to Western works with situations and key concepts seen in other successful anime, many of them like One Punch Man. Similar to the protagonist Saitama, Mash was born without any special ability and achieves strength that . surpasses any magic through training. What limits him is his nonchalance, another established element that "Mashle" adapts in its pastiche; Mash's monumental disinterest makes everything extremely comical in the anime. Whether it's his compulsion for profiteroles, his ability to work out in any situation, or his poor performance in mathematics, everything is a pretext for a punchline.

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Archived from the original on March 4, 2016. Retrieved July 8, 2014. ^ "美少女戦士セーラームーン Vol. 1" (in Japanese). Toei Video Online Shop. Archived from the original on July 14, 2014. Retrieved July 25, 2014. ^ "美少女戦士セーラームーン DVD-COLLECTION Vol. 2(完)". toei-video. co. Add that to increasingly unlikable characters, an unhealthy amount of fanservice, flat out wasted screentime, and a random/rushed plotline 9 episodes in and you'll come to this conclusion: Saekano season 2 is horrible. On a positive note, the art is done well so at least they didn't cut the budget for the one thing they had going for them. It's a shame that the art was wasted on such a dumpster of a show though.
**SPOILER***
In case you're looking for a summary of the plot it's as follows: Tomoya wants to complete a project. Needs the "prodigious minds" of his two waifus to do so. They each claim their own work is more important yet simultaneously cry and moan that the MC is essential to each of their well-beings and ALREADY successful careers(WAIFU GOALS RIGHT????). The MC being the dog he is then helps each one until they're satisfied(thus consequently neglecting his own work). After being satisfied, they both leave the MC in the dust suddenly for a once in a lifetime joint opportunity(funny way of saying thank you). Option # 3 says some words and is there for the MC. Happy reunion a couple days later. Tomoya smiles at the sight of his dream crushed by his two girlf--- frien---acquaintan---.
Hyper. No. 75 (January 2000). December 1, 1999. p. 14.