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"[23] Kay was also keen to emphasize how Assane's lifestyle affects his relationships with his estranged wife, Claire, and their son, Raoul: "They're fundamental to the whole being of Assane Diop. He has to work that out, because that's a permanent situation. He has the mother of his child and his child—that's never going to change. "[24] The dynamic between Assane and Claire differs substantially from the depictions of women in the series' source material, with Kay noting that the original Arsène Lupin was "ludicrously successful with women in a very sort of disposable way, which probably felt at the time quite fun but now feels really dated. I don't want to write that guy, I want to write a guy who's amazing at breaking into a museum but also can't work out how to explain certain things to his kid or ex-partner. "[25] In an interview with the French publication 20 Minutes, Ludivine Sagnier voiced her appreciation for the fact that although Claire continues to care deeply about Assane, she is able to remain true to herself and her desires. [26] On developing the character of Youssef Guédira, a fellow Lupin devotee who happens to be a police detective charged with hunting Assane down, Kay said that "a lot of our favourite shows have their own podcasts and fanbases and all of that stuff, and I thought it'd be cool if that was incorporated into the series itself, so it becomes like a 'live' adaptation within the series. It takes someone who knows Lupin to recognize he's here at all, and then to start exploring that as an idea felt quite fun because you can back-reference stuff, you can lay a load of breadcrumbs that relate to the books and bring those back in again. "[25] Kay commented further on the series' depiction of the French police force, specifically Guédira's immediate superiors, captain Romain Laugier and lieutenant Sofia Belkacem: "It's not that they can't get Assane, it's just that they can't agree on how best to do it in the context of their own hierarchy, so that makes them more rounded as characters. "[25] Filming[edit] Filming of the first five episodes was completed primarily in Paris, on various streets and at the Louvre, both inside and out. [27] According to research by Condé Nast Traveler, other important locations included La Naumachie pond at Parc Monceau and Musée Nissim de Camondo on rue de Monceau; the latter stands in as the Pellegrini home and is open to the public.
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