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^ Grollman, Dr. Eric Anthony. "Prejudice And Attraction: Is Beauty Really In The Beholder's Eye?". Kinsey Confidential. Archived from the original on 15 September 2018. Retrieved 26 October 2015. ^ Morrison, Todd (2004). Eclectic Views on Gay Male Pornography: Pornucopia. Routledge. p. 117.

Linguistic Society of America. 66 (1): 78–105. doi:10. 1353/lan. 1990. 0031.

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Archived from the original on June 10, 2020. Retrieved May 28, 2020. ^ Loo, Egan (November 29, 2020). "Top-Selling Manga in Japan by Volume: 2020". Anime News Network. Archived from the original on December 30, 2020. Retrieved November 30, 2020. ^ BookScan's ranking for each month: September 2019: Mateo, Alex (September 17, 2019). "My Hero Academia Ranks #2 on U. S. Monthly Bookscan September List". They are caricatures rather than characters, a harem in principle and occasional sexual connotation, though not with Cid himself. No chance is given to develop many of them into substantial beings—they don’t even get names beyond Greek letter designations, hence why I referred to them as “Greek chorus” before—because the show’s structure deemphasizes their own relevance. Throughout most of the story, they appear for brief moments and then vanish for long stretches of time, and their contributions to Cid’s shadowy operations do little more than deliver messages or background information. There’s a bizarre fixation on several of them being either competitive, protective, or envious of other members’ breasts. Even when they fight, the moments themselves do barely enough to give the women a sense of dimension. It took nearly one dozen episodes of their sporadic appearance before I finally learned who was named what.
The more-prominent side characters of each arc do not fare much better. Sherry is reduced to little more than buttshot eye candy despite the great intelligence we are told that she has, all the while the show decides to relentlessly dump tragedy upon her. Rose has her character more or less centered on her adoration of, and personal history with, Cid and an involvement with cultist Perv Asshat (yes, that is his name in-universe). Annerose, introduced as a warrior of high caliber, becomes a complete no-show for the last few episodes. Each new arc introduces more and more characters who become little more than blips on the show’s radar, unintriguing toys for Cid to use for whatever fantasy kick he’s on at the moment.

Kimetsu no Yaiba is like a love letter to dark fantasy adventure fans. Based on financial reports, the first week had sold over 11k copies while the manga also enjoys a decent success. It’s not too often to see this type of series succeed but I’m so glad it’s on this road. With ufotable behind the wheels as its studio, this is no pushover when it comes to technical quality. The characters and storytelling are meaningful to its premise while maintain an aura of mystique. We really need more adaptations like Kimetsu no Yaiba.