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Archived from the original on June 21, 2014. Retrieved November 20, 2008. [verification needed] ^ "TV
Asahi Top 100
Anime – Part 2". Anime News Network. September 23, 2005. Archived from the original on June 21, 2014. Retrieved April 15, 2009. ^ Loo, Egan (September 25, 2008). "Japanese Animation DVD Ranking, September 17–23". Anime News Network. Archived from the original on September 26, 2008.
This marks the first time NYAV Post had no involvement in dubbing Berserk media since Sword of the Berserk. The first season was
available on March 20 by Funimation. [31] Reception[edit] IGN contributor Meghan Sullivan gave the opening episode a score of 8. 5 out of a possible 10. In the review Sullivan praised the episodes' direction, stating "despite the somewhat distracting visuals, 'The Branded Swordsman' gets Guts' quest for vengeance off to a strong start". [32] Writer Cecilia D'Anastasio applauded the opening episode in a review published by Kotaku, going so far as to state that it "already outshines the 90's original". Though, noting the series' sub-par animation quality, D'Anastasio concluded, "Berserk is not for the faint-hearted. But 'The Branded Swordsman' proved to me that directors of fighting-heavy anime are making more of an effort to beautify and civilize the genre, doing justice to manga that showcases writing and ingenuity. "[33] Anime News Network contributor Jacob Hope Chapman was critical of the show's production quality in his review of episodes 1–3, stating that "Berserk 2016 is an abominably ugly and almost forcefully unpleasant realization of our dreams, with cut-rate CGI, questionable music choices, and disorienting camera work". However, to him, the strength of the source work helps to carry the show, and Itagaki's frenetic directing style at
least keeps the action interesting: "Once you manage to unclench your teeth at all those garish cel-shaded puppet bodies smacking against each other, Miura's compelling story and the captivating world still shine as one-of-a-kind flights of dark images with poignant characterization, even as they struggle under such a lackluster production. "[34] References[edit] ^ a b Luster, Joseph (29 December 2015).