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Of course, I’m sure many other studios experience these kinds of things too, but MAPPA has been brought into the limelight due to how many popular titles they’ve done recently. Clearly, Hell’s Paradise was not their favourite child, as this show looked considerably worse visually than their other shows.
But before we get to all the production things, let’s talk about the story. On paper, this looks like a somewhat generic action shounen, with a death convict in Gabimaru being tasked, along with the rest of the death row convicts to find the “Elixir of Life” on an island called Shinsekyo, in order to escape their death sentence. Obviously, the convicts fight amongst each other, as only one can have this elixir to evade death. This island looked very interesting and colourful, with some scary creatures around them, all around a very intriguing, perhaps a unique setting. However, what this anime fails at is the most important narrative technique, which is “Show, don’t tell”. Time and time again, we are told about what this environment is like, the religion aspects, the creatures, how the world works, but we don’t really get enough showing of the environment itself, either through simple background shots, or just cutting back on the expository dialogue. There is no need to spoon-feed the viewers every single narrative detail about what is going on, people can figure things out. There was solid potential in what the environment could bring us, but I wasn’t really invested due to the overly saturated dialogue.
The characters felt interesting at first, but slowly also devolved into being rather gimmicky or generic.

3 May 2012. Archived from the original on 9 June 2012. Retrieved 14 August 2013. ^ "NISA Licenses DanganRonpa, Demon Gaze Games in West - Interest". Anime News Network. 3 July 2013.

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Crunchyroll. Archived from the original on February 29, 2024. Retrieved February 29, 2024. ^ Lee, Choo Sum (December 8, 2020). "My Hero Academia Dominates Tumblr's 2020 Top Anime & Manga List". Anime News Network. Archived from the original on November 30, 2023. Retrieved November 30, 2023. ^ Lacerna, Michael (July 21, 2021). "Buddhist Manji Removed from Crunchyroll's Release of Tokyo Revengers". CBR. [166] Although Sailor Moon is regarded as empowering to women and feminism in concept, through the aggressive nature and strong personalities of the Sailor Guardians,[167] it is a specific type of feminist concept where "traditional feminine ideals [are] incorporated into characters that act in traditionally male capacities". [167] While the Sailor Guardians are strong, independent fighters who thwart evil—which is generally a masculine stereotype—they are also ideally feminized in the transformation of the Sailor Guardians from teenage girls into magical girls. [12] The most notable hyper-feminine features of the Sailor Guardians—and most other females in Japanese girls' comics—are the girls' thin bodies, long legs, and, in particular, round, orb-like eyes. [12] Eyes are commonly known as the primal source within characters where emotion is evoked—sensitive characters have larger eyes than insensitive ones. [167] The stereotypical role of women in Japanese culture is to undertake romantic and loving feelings;[12] therefore, the prevalence of hyper-feminine qualities like the openness of the female eye in Japanese girls' comics is clearly exhibited in Sailor Moon. Thus, Sailor Moon emphasizes a type of feminist model by combining traditional masculine action with traditional female affection and sexuality through the Sailor Guardians. [167] Merchandise[edit] Since the early 2000s, Toei Animation has collaborated with various different brands to create merchandise outside of children's demographic. [168] On February 20, 2020, ColourPop released a Sailor Moon inspired makeup collection. [169] Celebrating the 25th anniversary of Sailor Moon in the U. S. , streetwear brand KITH released clothing like hoodies and t-shirts with Sailor Moon graphics on them.
He becomes easily jealous whenever Ai interacts with other boys in school, most notably Ren Azuma, whom he sees as a rival for Ai's affection. Ai describes Kaede as kind and helpful like her father. Later on, it is revealed that he first met Ai at an ice cream shop when they were both 8 years old. Ai Mie (三重 あい, Mie Ai) Voiced by: Shion Wakayama[4] A popular but absentminded middle school girl and Kaede's crush, who always forgets her glasses. She can manage to get to school without her glasses thanks to her house being close to it. She sometimes speaks like a warrior, which her father passed onto her.