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[13] This workload forces him to keep tight production rates, starting from five in the morning until two in the morning the next day, with short breaks only for meals. Oda's work program includes the first three days of the week dedicated to the writing of the storyboard and the remaining time for the definitive inking of the boards and for the possible coloring. [14] When a reader asked who Nami was in love with, Oda replied that there would hardly be any love affairs within Luffy's crew. The author also explained he deliberately avoids including them in One Piece since the series is a shōnen manga and the boys who read it are not interested in love stories. [15] Conclusion Oda revealed that he originally planned One Piece to last five years, and that he had already planned the ending. However, he found it would take longer than he had expected as Oda realized that he liked the story too much to end it in that period of time. [16] In 2016, nineteen years after the start of serialization, the author said that the manga has reached 65% of the story he intends to tell. [17] In July 2018, on the occasion of the twenty-first anniversary of One Piece, Oda said that the manga has reached 80% of the plot,[18] while in January 2019, he said that One Piece is on its way to the conclusion, but that it could exceed the 100th volume. [19] In August 2019, Oda said that, according to his predictions, the manga will end between 2024 and 2025. [20] However, Oda stated that the ending would be what he had decided in the beginning; he is committed to seeing it through. [21] In a television special aired in Japan, Oda said he would be willing to change the ending if the fans were to be able to predict it.

With them at his side, Akira embarks on a number of exciting and frequently bizarre excursions throughout zombie-infested Japan, checking off bucket list items that range from simple pleasures like eating at expensive restaurants for free to more extravagant pursuits like going on roller coasters and visiting haunted houses. The group also comes across other survivors who have their own motivations for surviving as they make their way across the country and its swarms of flesh-eating zombies. Along the journey, they forge odd alliances, face their own anxieties, and learn the importance of friendship and the human spirit's ability to persevere in the face of difficulty. Characters[edit] Main characters[edit] Akira Tendo (天道 輝, Tendō Akira) Voiced by: Shūichirō Umeda[3] (Japanese); Zeno Robinson[4] (English) Portrayed by: Eiji Akaso[5] Akira is a former salaryman who worked in an extremely-exploitative marketing firm. Once a cheerful, happy-go-lucky person full of ambitions and dreams, the grind of his abusive job took a major toll on his physical and mental well-being and he fell into a deep depression. When the zombie apocalypse happens, however, Akira immediately reverts back to his old personality, able to finally break out of his routine and enjoy life as it comes. Knowing he will likely be turned into a zombie at some point, Akira decides to spend the next three years completing a bucket list of things he always wanted to do. While he initially seems ignorant of the gravity of the situation, Akira is actually keenly aware, but still views the zombie apocalypse as better than his former work life. Due to his time as a college rugby player, Akira possesses heightened strength and agility, which is often uses to escape zombies and get out of predicaments. He later uses his strength to become the "superhero" Akirager, dressing up in a shark bite-proof swimsuit to physically attack zombies without the risk of getting bit. Shizuka Mikazuki (三日月 閑, Mikazuki Shizuka) Voiced by: Tomori Kusunoki[6] (Japanese); Abby Trott[4] (English) Portrayed by: Mai Shiraishi[7] Shizuka is a young woman who used to work as a high-profile accountant (flight attendant in the live-action film, due to being composited with Yukari).

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The series just doesn’t really do all that much, and what it does, it doesn’t do very well. Nothing illustrates this better than putting the titles of all these shows next to each other:
Bakemonogatari - Ghostory - a pun and a factual description of the content.
Kyokou Suiri - Made-up Deductions - also a factual description of the content.
Undead Girl Murder Farce / Cube x Cursed x Curious - this is just trying too hard to advertise the expected quirkiness of the genre without any meaningful substance of its own. It’s shallow and derivative. Like, the word "farce" has an actual meaning, and there is nothing in the show that fits it, it is not a farcical show, using this word for the name is just pretentiousness.
The only well-made part of the story is the banter between the protagonists (which is the single easiest step of the formula to imitate, even Bunny Girl Senpai had decent banter). Outside of banter, the writing is subpar. Including, but not limited to:
The characters aren’t developed and act nonsensically at times, like when an entire family barely flinches in response to their relative getting killed after being revealed as a murderer.
The dialogue often exists to dump plot points on the audience with no regard for how natural it is to actually say those things at the moment.
Old-timey murder mystery cliches, like telling a person’s entire life story based on the stains on their clothes, are mindlessly reproduced without anything meaningful done with them. radio. The song saw her continue in a similar style to her previous hits, which was praised by critics for not "jumping on the synthpop bandwagon",[57] but also criticized for not showing much progression after a five-year hiatus. "Disaster" debuted on the Billboard Hot 100 at number 87, but fell off the chart the next week. The single failed to impact any chart internationally. In support of the single, she opened for the Joe Jonas & Jay Sean Tour. [58] JoJo gave her first televised performance of the song on Good Day Dallas on September 29,[59] and later performed on a small promotional tour for "Pinktober".