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It features the new opening and closing themes by Maximum the Hormone in the TV size format. [71] The third CD, Death Note Original Soundtrack III was released on June 27, 2007. Tracks 1–21 were composed and arranged by Taniuchi, while tracks 22–28 were composed and arranged by Hirano. The album features one track sung by Aya Hirano, who was also the Japanese voice actress of Misa Amane in the anime series. Also appearing on this soundtrack is the ending theme Coda〜Death Note, which can be heard at the end of the final episode of the anime as the credits are shown. [72] Several soundtracks have also been released for the live action films.There is no need to spoon-feed the viewers every single narrative detail about what is going on, people can figure things out. There was solid potential in what the environment could bring us, but I wasn’t really invested due to the overly saturated dialogue.
The characters felt interesting at first, but slowly also devolved into being rather gimmicky or generic. Gabimaru is the typical protagonist who starts out cold but ends up warming up to people and becomes more kind. For the female characters, there is a sense of empowerment that they were trying to go for, especially with Sagiri looking to escape gender norms and become a samurai, instead of the “norms” that this anime instills upon women. While on its own this would be a cool concept, the fact that all the female characters were so sexualized, and somehow getting saved via princess carry, defying all logic of physics by the men just felt a bit hypocritical to the potential message the show was trying to convey.