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Though Suzume never feels fatalistic or at risk of becoming lost in the darkness of its metaphor, it also never lets you forget that each and every single instance of the worm bursting through a portal carries the risk of causing a calamity like the real-world 2011 quake. But one of the most powerful concepts woven throughout the film is how the key to keeping the darkness at bay isn’t preparedness or simply responding with magical force but, rather, holding space and having a deep reverence for the past and all it can teach us about the present. There’s a certain degree of random and somewhat twee energy coursing through Suzume as it’s first laying out the series of events that leaves Sōta transformed into a walking, talking, child-size chair who needs Suzume’s help tracking Daijin across Japan’s various islands. But there’s a subtle brilliance to the way the movie uses the duo’s journey to illustrate different facets of its larger ideas about the past, memory, and growing up. In Suzume, Shinkai’s signature use of oversaturated colors and playing with light to give natural settings an almost otherworldly splendor is in full force. Here, though, it works more to emphasize the beauty there is to be found in everyday, ordinary places and happenings when people slow down to appreciate them as the things that make life worth living.

Crimson is irritated Ragna doesn’t have all Future-Ragna's useful memories yet, they just appear when the right conditions are met. A group of hunters inform Ragna of a dragon Monarch that controls tornadoes, Disas Trois. Intrigued by Silverine Battle Arts Crimson paralyses Ragna to force him to recover from the immense damage it causes his muscles. He then manipulates the hunters' minds using their guilt over abandoning civilians to die and convinces them they have been granted Ragna’s power while Ragna recovers. He also provides them modern machine guns and Silverine bullets generated by Ragna’s power. Crimson worries what will happen if Leonica dies as she is Ragna’s only motivation.

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"Suzume Sails Past One Piece Film Red to Be 4th Highest-Grossing Anime Film of All Time Worldwide". Crunchyroll. Archived from the original on April 20, 2023. Retrieved April 23, 2023. ^ a b Komatsu, Mikikazu (November 14, 2022). "Japan Box Office: Makoto Shinkai's Suzume Beats Black Panther Sequel in Its Opening Weekend". Crunchyroll. Archived from the original on November 15, 2022. Retrieved November 14, 2022. ^ Pineda, Rafael Antonio (November 14, 2022). "Makoto Shinkai's Suzume Anime Film Earns 1. de saisons 3 Nb. d'épisodes 61 Durée 23 minutes Diff. originale 21 février 2005 – 19 juillet 2008 Site web http://nicktoons. nick. com/shows/avatar/ modifier - modifier le code - voir Wikidata (aide) Avatar, le dernier maître de l'air ou Avatar : La Légende d'Aang (communément appelée Avatar) (Avatar: The Last Airbender) est une série télévisée d'animation américaine pour adultes et adolescents en 61 épisodes de 24 minutes créée par Michael Dante DiMartino et Bryan Konietzko et diffusée entre le 21 février 2005 et le 19 juillet 2008 sur Nickelodeon[1]. En France, la série a été diffusée le 27 août 2005 sur TF1 et diffusé quelques années plus tard, le 16 septembre 2006 jusqu'en 2014 sur Nickelodeon France et depuis janvier 2007 sur Game One, et au Québec à partir du 28 août 2006 sur Vrak.
I cant’ stand that dumb cliche of cartoonishly evil bullies that treat MC as less than garbage in the first seconds of a history. Those blatant attempts at getting emotions out of me feel cheap and disgustingly obvious. 3 Reply D Dream chasers Demetrius Damarcus Bartholomew James The Third Jr. 9 months ago Greatest isekai ever imo  -1 Reply ~mike~ 10 months ago Tenjou Yuuya is a cowardly boy.