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Okay, I'll just say that I like Yumeko a LOT. I think she's the most interesting female character I've seen in a while and it's amazing how, despite how unchanging she is throughout the show, she has changed a lot of people around her. It's also nice to see the development of the other characters including our main character. Like the plot, I almost gave the characters a 7 for 'good'. But omg THEY ARE SO CLICHE AND STEROTYPED!!! Yes, I do support women's wrongs as much as I support women's rights, but a lot of female characters here seem to exist with the main purpose of fulfilling a certain tsundere/yandere/etc fantasy and I just. blegh. I am SO tired of male-catered fanservice as well as self-insert, boring male characters whose initial existence in the show is unwarranted (like, why tf was he even enrolled in that school?). This anime would've been SO much better if Ryouta was a girl tbh.

However, due to low sales of the first box set, Viz decided not to continue releasing the remaining episodes on DVD and later dropped the license. [15] Monster began airing on Canada's Super Channel on 15 March 2010,[16] and on the Funimation Channel on 3 April 2010 on weekends at 12:30 am. [17] The series was also available digitally from several internet retailers. Siren Visual licensed the series for Australia in 2013, and released it in five DVD volumes beginning in November 2013. [18] Netflix began streaming the series internationally on 1 January 2023, premiering the first 30 episodes;[19] the entire 74 episodes were made available for the following month. [20] The credit sequence features illustrations from the book Obluda, Která Nemá Své Jméno (The Monster Who Didn't Have A Name) by Emil Scherbe which was published by Shogakukan on 30 September 2008. [21] Live-action adaptations[edit] In 2005, it was announced that New Line Cinema acquired the rights for an American live-action film adaptation of Monster. Academy Award-nominated screenwriter Josh Olson (A History of Violence) was hired to write the screenplay. [22][23] No new information on the film was released since. [24] In 2013, it was revealed that Guillermo del Toro and American premium television network HBO were collaborating on a pilot for a live-action TV series based on Monster. [25] Co-executive producer Stephen Thompson (Doctor Who and Sherlock) was writing the pilot, while del Toro was to direct it and be an executive producer alongside Don Murphy and Susan Montford.

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Now that he can rest in peace, Setsuna’s fate is to disappear, but first she tasks them with discovering the truth behind the world by finding Bahamut, though what this is she leaves unclear. The game announces to all players the first defeat of a Unique Monster and the start of the next stage of Shangri-La’s World Story, which even the games lore researchers did not know existed. Furious at being betrayed, Orcelott and his surviving assassins attack, hoping to take whatever loot they got from Wethermon’s defeat, but Arthur activates a “friend summoning” ability for help, which summons Rakuro’s friend Rei. Orcelot and the assassins are killed, passing all Ashura-Kai’s remaining rare items to Arthur. As the only assassin left, Arthur asks Rei to kill her in a duel to atone for her many kills and end Ashura-Kai forever, which Rei accepts and defeats her in battle. 20"Current Situations and Next Steps"
Transliteration: "Genjō to Tsugi no Suteppu" (Japanese: 現状と次のステップ)TBATBATBAFebruary 25, 2024 (2024-02-25) After killing Arthur, Rei asks if Rakuro and Arthur are lovers and is relieved they are not. The friend-summoning expires, sending Rei back where she came from before she can ask to join his party. Rakuro retrieves one of Arthurs swords Rei forgot to pick up. At Utopia Entertainment, the company that created Shangri-La Frontier, everyone is panicked as the World Story called for Wethermon to be the fourth unique monster killed, not the first, especially the lead world designers Tsukuyo and Ritsu, and marketing executive Sakai. Vysache is satisfied at Wethermon finally moving on and offers Rakuro knowledge of the truth behind the world, though he requires Rakuro fetch a receiver, a positioner and a transmitter from a place called Lightless Barrens, though he gives no indication where in Shangri-La this is. Rakuro finds beating Wethermon made him level 78. Retrieved August 8, 2009. ^ Brenner 2007, p. 52. ^ "Original Soundtrack (OST)". Anime News Network. ANN. July 26, 2002. Archived from the original on August 20, 2007. Retrieved August 18, 2007. ^ "Aaron McGruder - The Boondocks Interview". Troy Rogers.
Title [42][f]Directed by [42]Written by [42]Storyboarded by [42]Original air date [44][e]1"I Want to Be Seen as a Girl!"
Transliteration: "Onnanoko ni Miraretai!" (Japanese: 女の子に見られたい!)Makoto SokuzaMegumi ShimizuNamimi SanjōJanuary 5, 2023 (2023-01-05)"A Terrifying Challenge"
Transliteration: "Senritsu no Chōsenjō" (Japanese: 戦慄の挑戦状) Tomo Aizawa, a tomboy, unsuccessfully confesses her love to her childhood friend Junichiro Kubota. Later on, after Tomo asks her best friend Misuzu Gundou for advice, she tries to change the way she talks with Junichiro, but they instead fight. Sometime later, both Junichiro and Misuzu forget their umbrellas and wait for Tomo to walk them home. Junichiro angrily pushes Misuzu into the rain after she teases him before he and Tomo depart together at Misuzu's suggestion. Tomo bolts away after Junichiro comes close to prevent her from getting wet, and he does the same thing after he accidentally sees her soaked clothes. Tomo attends the boys' karate club, much to the admiration of captain Kosuke Misaki.