hxh 1999 vs 2011
Later, Hori falls ill, and Miyamura nurses her, learning more about the loneliness she experiences in the process. Believing Hori to be asleep, Miyamura confesses his feelings for her. 3"Episode 3"
Transliteration: "Dai-san-wa" (Japanese: 第3話)Hana MatsumotoYoshifumi SakaiMarch 3, 2021 (2021-03-03) Miyamura dreams about when he first met Shindo. When Shindo visits, he urges Miyamura to confront his feelings for Hori. Hori avoids Miyamura, culminating in her throwing her textbook at him. When Miyamura arrives at her home to return the textbook, the two apologize to each
other. Hori allows Miyamura to explain, and they are interrupted by her father, Kyosuke. 5"Hori and Miyamura: Midsummer Day"
Transliteration: "Hori-san to Miyamura-kun: Manatsu Hi" (Japanese: 堀さんと宮村くん -真夏日-)Kazuya AiuraYuniko AyanaMay 25, 2021 (2021-05-25) 6"Hori and Miyamura: A Kind Person"
Transliteration: "Hori-san to Miyamura-kun: Yasashii Hito" (Japanese: 堀さんと宮村くん -優しい人-)Kazuya AiuraYuniko AyanaMay 25, 2021 (2021-05-25) TV
series[edit] A 13-episode anime television series adaptation of Daisuke Hagiwara's Horimiya was announced on September 17, 2020. The series was animated by CloverWorks and directed by Masashi Ishihama, with Takao Yoshioka handling series' composition, Haruko Iizuka designing the characters, and Masaru Yokoyama composing the series' music. It aired from January 10 to April 4, 2021, on Tokyo MX and other channels. [3][86][a] The opening theme song is "Iro Kōsui" (色香水, "Color Perfume") performed by Yoh Kamiyama, while the ending theme song is "Yakusoku" (約束, "Promise") performed by Friends.
The duo’s dynamic is in my opinion, the best part of the anime, as it brings forth such contagious eccentricity and energy
that sucks you into the world around them.
Another main positive about this show was definitely the directing prowess of Shinichi Omata, who previously directed Kaguya-sama: Love is War, and Showa Genroku Rakugo Shinjuu, coming into play once again. The whole show feels like a stage play, with the characters feeling like actors, the dialogue bouncing off each character with such ease, the general flow of the story just so fantastic. The art and animation itself isn’t particularly pretty, and I suspect the budget for this show wasn’t huge at all, but Omata’s directing really elevated the show’s quality to greater heights, as there’s just a distinct uniqueness about how the show looks. The camera work and the storyboarding really embodied a
style that felt “extravagant”, suiting the show’s setting very well. Furthermore, it has a sense of rakugo in it, and you can tell that Omata’s previous directing endeavours helped shape the way this show was directed as well.
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