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British Museum. July 18, 2019. Archived from the original on March 26, 2023. Retrieved March 26, 2023. Contents begin at 1:22. Information page Archived March 26, 2023, at the Wayback Machine from the Sainsbury Institute, University of East Anglia.

[83] In the United Kingdom, the film aired several times on BBC Two between 1994 and 1997. [84] Reception[edit] Critical response[edit] On review aggregator Rotten Tomatoes the film has an approval score of 91% based on 54 reviews, with an average rating of 7. 9/10. The site's critical consensus reads, "Akira is strikingly bloody and violent, but its phenomenal animation and sheer kinetic energy helped set the standard for modern anime. "[85] From contemporary reviews, Tony Rayns commented in The Monthly Film Bulletin that the narrative was paced at such "speed and complexity" that "viewers who come to it without prior knowledge of the manga (comic-strip) version tend to find it almost overpowering" concluding that "The film virtually demands to be 'read' alongside the manga, and amounts to a kind of commentary on it. "[86] Discussing the story, Rayns found the film "not particularly ground-breaking as science fiction" comparing the film to be between Blade Runner and 2001: A Space Odyssey with the film's main achievement being "the sheer credibility of his vision of future-tech, as seen in fully thorough designs of vehicles, laboratory equipment" and that the film "yields some extremely arresting images in the film's closing scenes" and that "Simply as animation, Akira is an undoubted tour de force. "[87] Variety praises aspects of the film "from the imaginative and detailed design of tomorrow to the booming Dolby effects on the soundtrack" but criticizes the "slight stiffness in the drawing of human movement". [88] Chicago Tribune's Dave Kehr commends Otomo's "excellent animation-specific ideas: Vehicles leave little color trails as they roar through the night, and there are a number of dream sequences that make nice use of the medium's ability to confound scale and distort perspective". [89] From retrospective reviews, Anime News Network's Bamboo Dong commends the Limited Edition's DVD for its "superbly translated" English subtitles and the commendable English dubbing, which "sticks very close to the English translation, and the voice actors deliver their lines with emotion". [90] THEM Anime's Raphael See applauds the film's "astounding special effects and clean, crisp animation". [91] Chris Beveridge comments on the Japanese audio, which brings "the forward soundstage nicely into play when required.

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The expressive eyes, fluffy fur textures, and distinctive ears and tails of Kemono characters captivate readers and invite them into a world where the lines between human and animal blur. Human and Beast Hybrids: Creating Unique Species Kemonomimi, or human and beast hybrids, are at the heart of Kemono art. These characters combine elements of humans and animals, resulting in a diverse and imaginative array of hybrid species. The process of designing Kemonomimi requires a deep understanding of the anatomy of both humans and animals, as well as an exploration of different design styles. The possibilities for creating unique Kemonomimi are virtually limitless. From anthropomorphic animals with human-like features to animal-human hybrids boasting both human and animal traits, Kemono artists have the freedom to experiment and invent their own fantastical creatures. This boundless creativity is a testament to the allure of Kemono art. The Evolution of Kemono Art Over Time Kemono art has come a long way since its inception, becoming more intricate and expressive over time. Artists have continuously pushed the boundaries of this genre, experimenting with different styles and techniques to produce unique and captivating characters. The evolution of Kemono art is a reflection of the ever-changing landscape of Japanese culture. As Kemono continues to grow in popularity, it is fascinating to see how this remarkable art form adapts and transforms, capturing the hearts and imaginations of fans across the globe. 5Other media 4Reception Toggle Reception subsection 4. 1Popularity 4. 2Manga 4. 2. 1Sales 4. 2. 4Season 4 7Spin-off 8Notes 9References 10External links Toggle the table of contents Castlevania (TV series) 22 languages العربيةCatalàČeštinaDeutschEspañolفارسیFrançaisGalego한국어Italiano日本語PolskiPortuguêsРусскийکوردیСрпски / srpskiSuomiSvenskaTürkçeУкраїнськаTiếng Việt中文 Edit links ArticleTalk English ReadEditView history Tools Tools move to sidebar hide Actions ReadEditView history General What links hereRelated changesUpload fileSpecial pagesPermanent linkPage informationCite this pageGet shortened URLDownload QR codeWikidata item Print/export Download as PDFPrintable version In other projects Wikiquote From Wikipedia, the free encyclopedia American adult animated series CastlevaniaGenre Action Adventure Dark fantasy Drama Horror Created byWarren EllisBased onCastlevania III: Dracula's Curse and Castlevania: Curse of Darkness
by KonamiWritten byWarren EllisDirected byVarious[a]Voices of Richard Armitage James Callis Graham McTavish Alejandra Reynoso Tony Amendola Matt Frewer Emily Swallow Theo James Adetokumboh M'Cormack Jaime Murray Peter Stormare Jessica Brown Findlay Rila Fukushima Jason Isaacs Yasmine Al Massri Ivana Miličević Navid Negahban Bill Nighy Toru Uchikado Gildart Jackson Lance Reddick Barbara Steele Malcolm McDowell Toks Olagundoye Marsha Thomason Titus Welliver Christine Adams Matthew Waterson ComposerTrevor MorrisCountry of originUnited StatesOriginal languageEnglishNo. of seasons4No. of episodes32ProductionExecutive producersKevin KoldeWarren EllisFred SeibertTed BiaselliAdi ShankarLarry TanzProducers Jason Williams Maki Terashima-Furuta AnimatorsMua Film (seasons 1–3)Tiger Animation (season 4)Running time22–31 minutesProduction companiesFrederator StudiosPowerhouse AnimationShankar AnimationProject 51 ProductionsWarren Ellis Productions (seasons 3–4)Original releaseNetworkNetflixReleaseJuly 7, 2017 (2017-07-07) –
May 13, 2021 (2021-05-13)Related Castlevania: Nocturne Castlevania is an American adult animated dark fantasy action television series created and written by Warren Ellis for Netflix, and is produced by Frederator Studios's Kevin Kolde and Fred Seibert[1] and Shankar Animation's Adi Shankar. Based on the Japanese video game series of the same name by Konami, the first two seasons adapt the 1989 entry Castlevania III: Dracula's Curse and follow Trevor Belmont, Alucard and Sypha Belnades as they defend the nation of Wallachia from Dracula and his minions. Additionally, characters and elements from the 2005 entry Castlevania: Curse of Darkness are featured beginning in the second season, and Alucard's backstory is drawn from the 1997 entry Castlevania: Symphony of the Night.
Boruto and Kawaki fighting Boro. Boruto later rushes back home with Mitsuki when his Kāma inadvertently activated, feeling something bad happened to Kawaki. He grew even more concerned when his mark suddenly receded again. As Boruto and Mitsuki arrived, asking what happened, Kawaki explained that Jigen appeared and took Naruto. Kawaki was then suddenly subdued by Shikamaru's Shadow Imitation Technique. Openly noting his distrust of Kawaki, Shikamaru had a team of ninja use a barrier to lock down the area while he interrogated Kawaki.