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Free will, destiny, and causality are discussed within the series. [77][78][79] Human resilience is a recurring theme, with many characters coming from traumatic backgrounds, constantly struggling against an unjust world. [79][80] Guts struggles with destiny itself and is constantly resisting the pull of predetermination. [77] Griffith also embodies this idea of resilience, by chasing his dream of ruling his own kingdom, despite his lowborn origins, as
well as free will, by his own decision to sacrifice the Band of the Hawk in order to achieve his dream. [79] The series also explores human nature and morality, as characters struggle between becoming good human beings or falling into madness and evil. [81][80] Guts, at the beginning of the story, is presented as an antihero who does not care about killing and is indifferent to people who aid him. Guts does not act in accordance with definitions of right and wrong, he operates within a gray area. Initially he does not attempt to be heroic or protect the innocent, though his self-motivated actions sometimes do so incidentally. [82][83] However, as the story progresses, it is shown that he is in fact a person who is deeply conflicted internally. [84][85] His tragic and traumatic past, unfolded in the Golden Age arc, shows Guts as a more complex character. [86][82][80] Anne Lauenroth of Anime
News Network wrote that Griffith is "not evil at all," but "arrogant and brutally realistic about human nature.
Power Hour, a one-hour animation block of Nintendo-focused
video game adaptations. Concept art was produced for the project by DIC
Animation City. Only the Mario and The Legend of Zelda segments for the block were ultimately produced, airing in 1989 as part of The Super Mario Bros. Super Show!. [198] A Castlevania film was planned in the late 2000s. However, in December 2007, Rogue Pictures halted active development of Castlevania due to the writers' strike and, later, the sale of the studio to Relativity Media and possibility of a screen actors' guild strike.
