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I don't want to write that guy, I want to write a guy who's amazing at breaking into a museum but also can't work out how to explain certain things to his kid or ex-partner. "[25] In an interview with the French publication 20 Minutes, Ludivine Sagnier voiced her appreciation for the fact that although Claire continues to care deeply about Assane, she is able to remain true to herself and her desires. [26] On developing the character of Youssef Guédira, a fellow Lupin devotee who happens to be a police detective charged with hunting Assane down, Kay said that "a lot of our favourite shows have their own podcasts and fanbases and all of that stuff, and I thought it'd be cool if that was incorporated into the series itself, so it becomes like a 'live' adaptation within the series. It takes someone who knows Lupin to recognize he's here at all, and then to start exploring that as an idea felt quite fun because you can back-reference stuff, you can lay a load of breadcrumbs that relate to the books and bring those back in again. "[25] Kay commented further on the series' depiction of the French police force, specifically Guédira's immediate superiors, captain Romain Laugier and lieutenant Sofia Belkacem: "It's not that they can't get Assane, it's just that they can't agree on how best to do it in the context of their own hierarchy, so that makes them more rounded as characters. "[25] Filming[edit] Filming of the first five episodes was completed primarily in Paris, on various streets and at the Louvre, both inside and out.

At the end of episode 6, everyone who took care of them there dies, and Hyakkimaru goes on a rampage, killing almost everyone who murdered them. You’d think such an event would leave an impact on both of them, especially Hyakkimaru who finally found someone else he cared about that could help him. Apart from minor flashbacks in the middle of Dororo getting angry at someone, and a scene of another secondary character comforting Dororo, it means absolutely nothing and doesn’t get referenced in any meaningful way. I’m left with flashbacks to RWBY, when in Volume 3 Ruby watches Roman Torchwick get eaten after beating her up and challenging her heroic idealism with talk of how cold and nihilistic reality is. This scene comes between the death of two of her friends for an added gut punch. This is prime real estate for her to develop as a character (the main one at that) before Volume 4 completely has her going nowhere with this outside of two scenes of her feeling scared and horrible for what happened, causing her to completely abandon this idea outside of one scene in Volume 5 where she brings up the deaths of her friends. Hell, even that had more of an impact than what happened in this arc, which is still the most emotionally resonant arc in the series!
None of this would matter too much if the characters were dynamic and colorful, cuz that would make it so even if an episode is only there for variety, it’s still engaging. Unfortunately, Dororo’s characters barely go beyond their character archetypes, and the ones who aren’t stock characters often leave a lot to be desired. I already discussed how poorly they handled Hyakkimaru’s development, which is a real shame since there are moments where he comes off as fun, even adorable with how he has to learn to really socialize with others on a level beyond that of a toddler. Dororo, by contrast, is far more lighthearted, sometimes even naive regarding “right and wrong”, as she’s a child. She’s an orphan that has watched her parents die and seen villages burn, and that completely clashes with how naive she is and how horrifying such violence seems to her in the first leg of the show, but she’s still a child.

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