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That's how demons should look, of course. "[223] Publishers Weekly wrote: "this work has a style characteristic of other 1980s manga, with sparse dialogue, spectacular action sequences and gritty character art. The pencil shading and use of shadows lend an ominous tone. "[222] Campbell wrote: "You just can't know what 'attention to detail' means until you read Berserk—it's rare when it comes to what it has to offer to all the readers out there, so really it's no wonder that it stands out as much as it does. "[231] Campbell also commented: "The closest thing visually that Berserk could be compared to might be Claymore, another very good manga—but really Berserk is on a plain of its own. "[225] Writing for Advanced Media Network, Serdar Yegulalp said that the artwork of the first volumes are "a little rougher and less polished than the later ones," but that after the eighth volume "there is scarcely a page that doesn't look spectacular," adding that "Miura's loving attention to detail on most any page or panel is stupefying. "[232] Writing for ANN, Casey Brienza stated: "Miura's artwork is exquisite and, remarkably, drawn without the help of an army of assistants. And while he has been great right from the first page of volume one, he has improved over the many years of working on Berserk. "[233] In another review for Graphic Novel Reporter, Brieza wrote: "Unlike virtually all other commercially successful manga artists, Miura produces his artwork without assistants,[f] and the exquisite detail of this erotic-grotesque, Dungeons & Dragons-esque high fantasy issues from his hand and his hand alone," adding that it is "one that appeals to men and women alike. "[236] Carlo Santos, reviewer from ANN, wrote: "Miura's complete command of light and shadow gives every moment an otherworldly quality—this is one of the few series that can honestly claim to transport its readers to another time and place—and the attention to backgrounds is a welcome sight when so many other artists are too lazy to be bothered. "[237] Kimlinger wrote that Miura's art "is among the most intricate, evocative and plain beautiful art ever to be put to page and arranged cinematically.

[32][33] A third season was announced in May 2022. [34] Funimation has licensed the series for streaming on FunimationNow. [35] The series was simulcast in Southeast Asia on Aniplus Asia. On July 19, 2019, it was announced that Funimation's English dub of the series would premiere on Adult Swim's Toonami programming block on July 28, 2019. [36] The second season premiered on Toonami on November 8, 2020, two weeks later than its original scheduled date. [37][38] Stage plays[edit] In 2020, a stage-play adaptation of the series ran from July 31 to August 2 at the Umeda Arts Theater in Osaka and from August 7 to August 9 at KT Zepp Yokohama in Kanagawa.

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"[89] On Metacritic, the film has a weighted average of 77 out of 100 based on 27 critic reviews, indicating "generally favorable reviews". [90] Audiences polled by PostTrak gave the film an 89% positive score, with 72% saying they would recommend it. [91] On Japanese review site Filmarks, Suzume received an average rating of 4. 00/5 based on 6,585 user reviews, placing second in its first-day satisfaction ranking. [70] Matt Schley of The Japan Times gave the film 4 out of 5 stars, and called it "the director’s most satisfying work yet. " He praised the art and animation, and while he described some of the dialogue as "cliche or cringe-worthy", he also felt that the film was "a bit more mature" than Shinkai's past films. Schley also found the film's climax "somewhat disturbing", and said that it might divide viewers on whether Shinkai "earns" it. [92] Richard Eisenbeis, writing for Anime News Network, graded the film 'A', praising the story, characters, animation, and music, but found the plot structure to be similar to Your Name and Weathering with You, making the film "more predictable. " Eisenbeis also criticized the appearance of a creature that Suzume encountered in Tokyo, describing it as "a cheap CG effect placed over the otherwise quality animation and blended poorly. "[93] Gautam Sunder of The Hindu praised Shinkai's "mastery over light and shadows", character writing, humour, and references to older animated films, while conceding that it could not match "the raw beauty of The Garden of Words or the dramatic beats of Your Name". [94] Accolades[edit] Accolades received by Suzume Award Date of ceremony Category Recipient(s) Result Ref. Samurai Shodown: Warriors Rage (1999, PlayStation)
Warriors Rage is usually regarded as the worst game that SNK has ever created, bar none. There isn't much to say about this game that would be positive, as the graphics and the controls were very shoddy, even by PlayStation standards. Well, at least the character portraits were nicely drawn. SNK vs. Capcom: Card Fighter's Clash (1999, NeoGeo Pocket Color)
Before card battle games like Yu-Gi-Oh! became popular, SNK produced a card battle game for the NeoGeo Pocket Color using the combined rosters of SNK and Capcom. The game was sold in two flavors: one with a majority of SNK's cards and the other with a majority of Capcom's cards.