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Meaningless, boring tournament arc spaced out by really dumb backstories? Check. This anime fell off the shounen drivel tree and hit every cliche on the way down, completely burying any sense of intrigue the premise had and showing no signs of promise to improving. This anime also has a horible sense of humor very reminicent of Fairy Tail, it isn't as bad as Demon Slayer's where loud=funny, but instead quirky=funny. Yes, this anime is formuleic, and yes it's full of stuff you've seen time and time before and executed in mediocre fasion. But what really bothers me about it is the complete and utter lack of any and all thematic depth or substance. Usually even in shounen there's some solid idea behind everything, be it dreams, people you care about, being a hero, ect.

However, Araki did not want Part 3 to be a tournament affair, which was popular in Weekly Shōnen Jump at the time, and therefore decided to make it a "road movie" inspired by Around the World in Eighty Days. [11] With Part 4, Araki said that he moved away from "muscle men" as they fell out of popularity with readers and he wanted to focus more on fashion. When designing his characters' outfits, Araki considers both everyday fashion and "cartoonish, bizarre clothing that would be impractical in real life". [12] For Part 6, Araki wrote a female protagonist for the first time which he found complicated, but also interesting due to the humanity she could possess. [13] He later described Part 2's much earlier supporting character Lisa Lisa as fresh and "unheard of" in both manga and society in general for its time, and said it was exciting to challenge people's expectations with the female warrior-type. [6] Having not specifically set out on creating a disabled character, Araki explained that Part 7's paraplegic Johnny Joestar was a natural result of wanting to show a character who could grow, both physically and mentally, during a race where "he would be forced not only to rely on other people, but horses as well. "[12] Araki uses unique onomatopoeia and poses in the series, which he attributes to his love for heavy metal and horror films. [14] The poses, which are known in Japan as JoJo-dachi (ジョジョ立ち, lit. "JoJo standing"), are iconic on his book covers and panels, and were inspired by Araki's trip to Italy in his 20s and his studies of Michelangelo's sculptures. [15] Media Manga See also: List of JoJo's Bizarre Adventure volumes Hirohiko Araki, the author of JoJo's Bizarre Adventure Written and illustrated by Hirohiko Araki, JoJo's Bizarre Adventure began serialization in the weekly shōnen manga anthology Weekly Shōnen Jump's combined issue #1–2 of 1987, published by Shueisha on January 1, 1987. [16] The series is divided into eight story arcs, each following the adventures of a new protagonist bearing the "JoJo" nickname.

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