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His motivation is an important source of concern since his purpose from the very beginning, to find the meaning of strength, is an extremely abstract and difficult to grasp goal. During most of Ippo's career, the only tangible goal that constantly pushed him to keep winning was his desire to fulfil his promise and clash with Miyata in the pro ring—and as the possibility of realising this faded, his determination to move forward was cut short as well. Unlike most world ranked boxers, on many instances Ippo has expressed disinterest to pursue a world title or to win fights beyond the oriental pacific region. [121][122][123][124][125] This absence of ambition, as Ippo himself stated, led him to lose his first match in the world stage. [126][127] In terms of confidence, during fights Ippo is prone to lose his composure and will to fight when facing an opponent he considers to be superior to himself, as happened during his championship matches with Date and Sendō. [128][129][130][131]. This flaw was grave to the point that Kamogawa predicted Ippo was going to lose if he ever were to fight Miyata, someone who Ippo thought of as being far ahead of him. [132][133] Even in the midst of matches against opponents of lesser reputation, Ippo is also notoriously susceptible to panic and fall apart when facing unexpected situations. In many of his matches, difficulties arose when his opponent came up with a tactic or strategy he had not prepared for, such as Malcolm Gedo's Extending Punch and Wally's corner work. As Takamura stated, Ippo's inability to make excuses to stand up and keep fighting is proof that he doesn't have what it takes to "cross the line" and reach the world. [134] Over-Reliance on the Dempsey Roll After his first loss, Ippo evolved through the creation of the Dempsey Roll.

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“That’s why the offering of my ‘Bebop’ project was taken. ”But Bandai pulled the sponsorship when the initial episodes were produced. “They didn’t think such a dark and subdued portrayal of spacecrafts would do any favors to their toy sales,” Watanabe said. While Cowboy Bebop has its comedic moments, the show abounds with violence and interrogates concepts like existentialism and fatalism—not exactly the most marketable material for toy makers. After a separate subsidiary of Bandai stepped in, the project was allowed to continue without a connection to toys. Sunrise EntertainmentCowboy Bebop‘s relatively dark tone was met with skepticism elsewhere.