oshi no ko chapter 132 spoilers
Archived
from the original on July 26, 2005. ^ "スタッフ&キャスト" [Staff & Cast]. TV Tokyo. Archived from the original on
October 12, 2007. ^ "アイシールド21 Complete Best Album". Billboard Japan (in Japanese). Retrieved December 7, 2018. ^ IGN Awards 2018: "Best Anime Series of 2018". IGN. December 10, 2018. Archived from the original on June 18, 2022.
[81] According to ICv2, JoJo's Bizarre Adventure was the eighth best-selling manga franchise of Q4 2021 (September–December) in the United States. [82] Critical reception Reviewing the first volume, IGN named JoJo's Bizarre Adventure a "must read," declaring the artwork of "a standard virtually unseen in most manga produced today. "[83] Otaku USA's Joseph Luster called the series "fun as hell" and noted how the beginning is not filled with action like most Weekly Shōnen Jump series, but instead has the
tension of horror and thriller films. [84] Rebecca Silverman of
Anime News Network wrote that the first volume "combines a fighting story with a solid emotional background, and will absolutely put hair on your chest. " She called Dio an excellent villain that the readers can enjoy hating. However, she criticized the anatomy of characters, saying "bodies are often twisted into impossible positions.
[12] Watanabe's main directive to the staff was to "capture the mood of the novel as much as possible";[9][12] the scriptwriters had discussions
about how to compress the dense source material without losing the central elements of the story, and Nakamura recalls working with composition notes that "went on for pages. "[12] While planning and scripting the anime, choosing a proper conclusion was one of the most difficult parts for the staff, and a significant amount of time was devoted to choosing what to cover in the final episode,[7] which included material not yet covered in the light novel. [e][15][16] After joining the project, both Nakamura and Umehara had to adjust their views of the main character, and were forced to rewrite scenes where they had made Subaru appear "cool. " At Watanabe's direction, Nakamura was made to rewrite Subaru's telling of The Red Ogre Who Cried in episode 6 multiple times. [12] The staff also had difficulty deciding on a song to use for Subaru's ringtone that plays during the closing scene of episode 19, considering songs like "Kanpaku Sengen," "The Beard Song," and "M" by Princess Princess, before settling on "Yoake no Michi" from Dog of Flanders. [12] Soundtrack[edit] While choosing a composer to produce the series' music, director Watanabe wanted to choose someone who had "hit a nerve" with him. A fan of drama series, Watanabe was struck by a piece of music in the medical drama Death's Organ, and found that the series' composer, Kenichiro Suehiro, had also worked on a number of his favorite anime and drama series. [17] After Suehiro was attached to the production, Watanabe gave him three major guidelines: use human voices during the Return by Death sequences; compose the music like he would for a drama or a movie to capture the emotional scenes; and "pull all the stops" for the suspenseful scenes. [17] Additionally, for the first cour, Watanabe asked for music with a "suspenseful" vibe, while requesting music with a "romantic" feel for the second cour. [17] Both Watanabe and Suehiro are fans of Italian composer Ennio Morricone, and Suehiro tried to take inspiration from his works while composing the soundtrack. [17] Watanabe also requested that
there be songs that mimicked Hans Zimmer's score from The Dark Knight.
