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He concluded that My Hero Academia was a difficult series to dislike, making it as the "real joy to read" by executing on the author's ideas and enough nerve and twist. [265] Sean Gaffney from A Case Suitable for Treatment referred to the art as "smooth" and complemented how it flows with the action. Gaffney also praised the story, characters, and fight scenes, stating that the story flows nicely with each of their individual personalities, while the fight scenes look smooth and non-confusing. [266] In a review of the second volume, Leroy Douresseaux from Comic Book Bin also praised the story, specifically the way it tells comedy and drama. He also compared the series to the other superhero works like Tiger & Bunny and One-Punch Man, stating that My Hero Academia proves that "manga can do superhero comic books that are every bit as imaginative as American superhero comics". [267] Manga Bookshelf praised the first volume for its art, saying that it demonstrated Horikoshi's skill very well, though criticizing it for having too much narration at some points.

jp. Retrieved January 4, 2015. ^ "No Game No Life episode 10" (in Japanese). NGNL. jp. Retrieved January 4, 2015.

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The aesthetics were great too, with lovely backgrounds and detailed designs of the . buildings and surroundings.
The puffy firefighter outfits with the light blue stripes that shone in the dark (and contrast the red flames) were genius.
And what really kept me watching was the mystery of the combustion phenomenon. I'm just a sucker for mystery elements.
But all that can't nearly make up for those boring, bland and unoriginal characters.
It was hard to form any attachments or even tell them apart at some point. Maki and Tamaki? Come on, do you name your girls after different types of sushi? And even sushi gets treated with more love and care.
Sexism and fanservice against women (and men) in anime is one of my biggest problems with the genre.
As for Kizaru, he manages to avoid falling into the sea and uses Yasakani no Magatama to return to the island at lightspeed. Once he catches up to Luffy, he turns the individual light particles into copies of himself, all of which use Ama no Murakumo to create light swords to attack him, though they surprisingly do minor damage to Luffy. He responds to Kizaru’s attack by using Gomu Gomu no Dawn Whip to destroy a few, before making a run for it. As the copies chase after him, Luffy reveals that he was getting them lined up to take them all out at once with Gomu Gomu no Dawn Stamp. Much to his misfortune, he realizes that Kizaru used those copies to distract Luffy long enough to return to the Control Tower, where he grabs Usopp. Kizaru realizes that Dr. Vegapunk is no longer present, and both he and Luffy see him and Atlas riding a contraption called Vegatank-08, with Sanji hanging on the outside. Dr. Vegapunk declares that he is on his way to save Bonney. Kizaru tries to blast him, but Luffy takes the shot. Franky joins the three as he tells Lilith to use General Franky to carry the Thousand Sunny.