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This is probably one of the strangest and most ambiguous chapters in the series. Yuujirou during his battle with Doppo. Just before the start of the big clash, Yuujirou lies down and relaxes in the locker-room of the Underground Arena. When the fight begins, Doppo starts off the fight by jumping on top of Yuujirou and putting him in a full-body headlock. Yuujirou reacts by running and jumping off a wall, then slamming his back to the ground. Doppo dodges in time, and then delivers an axe kick at Yuujirou, which the Ogre dodges. Yuujirou tries to use Udonde technique against Doppo, while at the same time Doppo uses the Maeba Stance, which is also a defensive-based style. Yuujirou attacks first, giving Doppo the benefit of the attack, punching the Ogre 5 times in the chest. Yuujirou stands up, undamaged, and wildly punches at Doppo, while the karateka blocks. The fight continues, and Doppo uses Sangan, a fighting technique which allows the user to block all the opponents strikes by making the user's eyes mimic that of a chameleon's, therefore being able to see attacks from all directions, on Yuujirou. The Ogre is unable to get past this defense, and Doppo then proceeds to continually punch at Yuujirou."[41] Eun-hee further spoke about the importance of blending those genres and particularly focusing on the examination of the political elements covered in the series, citing that "politics and the living dead are not separate, but they rather come together as one. "[42] Adding to that, Eun-hee commented about the nature of politics, and its role in shaping the world of Kingdom. The series’ portrayal of political dynamics of corruption and power highlights the disparity of growing concerns against the bourgeoise, suffering in the midst of a plague. Speaking on the conceptualization of the plague, the creator argued its role in the narrative is to serve as a reflection of the corruption, greed, inequity and injustice committed by the ruling class, using it as a camouflage to usurp the political power to maintain influence in the Kingdom of Joseon. [43] Eun-hee stated in an interview that she wanted to depict several themes through the use of various narrative devices in the series. She later explained that the theme of the first season was "to tell a story about hunger.
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