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Mob Psycho also presents a good message that a lot of anime with OP characters tend to mess up; that your powers/skills don't make you any better than anyone else. Mob at a young age is told that psychic powers are the same as having any other talent or skill, like being good at math or sports. This is refreshing as a lot of main characters are constantly being told that they're special in some way, good or bad, because of their powers. Another refreshing part of the story is that kids actually ask adults for help, and the adults help them. It may sound stupid, but think of how many shows have a plot line where the adults: A. don't understand, B.

Siliconera. May 29, 2012. Archived from the original on November 12, 2020. Retrieved August 16, 2012. ^ "Castlevania: Mirror of Fate Confirmed for 3DS –". IGN. Archived from the original on January 31, 2024. Retrieved February 1, 2024. ^ Hazra, Adriana (March 2, 2024). "All the Winners of the Crunchyroll Anime Awards 2024". Anime News Network.

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Viz Media. 4 (10). ISSN 1533-1822. Archived from the original on October 1, 2012. Retrieved January 5, 2010. ^ 小学館漫画賞:歴代受賞者 [Shogakukan Manga Award: Past winners] (in Japanese). Shogakukan. Archived from the original on August 5, 2015. Retrieved August 19, 2007. ^ Amano, Masanao; Wiedemann, Julius (2004). Manga Design. An infected man eventually infects Reika, who in turn infects Maki before being killed by Kencho, while the man bites Yukari. Before she turns, Yukari encourages Akira to find his ambition in life, like she got to live out as a flight attendant. Yukari's death traumatizes Akira, and he carries his memory of her throughout the rest of his journey. Masaru Kumano (熊野 勝, Kumano Masaru) Voiced by: Naomi Kusumi[9] (Japanese); Richard Epcar[9] (English) A carpenter from the city. After the outbreak killed his wife and son, Kumano fled into the forest, where zombies do not roam, and began building a treehouse in the forest to reside there away from danger. Upon finding him, Akira and his group help him complete the treehouse due to building a treehouse being on Akira's bucket list.
No chance is given to develop many of them into substantial beings—they don’t even get names beyond Greek letter designations, hence why I referred to them as “Greek chorus” before—because the show’s structure deemphasizes their own relevance. Throughout most of the story, they appear for brief moments and then vanish for long stretches of time, and their contributions to Cid’s shadowy operations do little more than deliver messages or background information. There’s a bizarre fixation on several of them being either competitive, protective, or envious of other members’ breasts. Even when they fight, the moments themselves do barely enough to give the women a sense of dimension. It took nearly one dozen episodes of their sporadic appearance before I finally learned who was named what.
The more-prominent side characters of each arc do not fare much better.