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People who have watched the first two episodes called the show obnoxious for having snarky commentary on its clichés while also indulging in them.
But let’s give credit where it’s due: Saekano isn’t complete trash. I would probably be more forgiving of the show if it were: it’s easier to let go of a show that’s a total failure than a show that flubbed with its great ideas. There are two things that Saekano did well in portraying: the relationship between consumer and creator, and the character of Katou Megumi. Let’s start with the former.
Episode 6 of Saekano is the first episode where I thought the show was being genuine. The episode frames Utaha as the creator and Tomoya the consumer, and the show asks: how far should an author go to in trying to please their readers? And I feel that the show gave a good answer to the question: fans want something that the creator wrote, not something that would go with their expectations. The framing of the scene was even reminiscent of White Album 2: two high school kids throwing their emotions at each other under the snow might be a clichéd scene, but if there’s anyone who can make it work, it’s Fumiaki Maruto.
Episode 9 is another good episode that gave Eriri much-needed characterization past her generic tsundere shtick. This time, the show asks why a creator, well, creates works for fans – for whose sake are they putting out content? Again, the show frames this question with Tomoya as the consumer and Eriri as the creator: does Eriri draw so she can get better for her fans, or does she just draw to satisfy herself and stay where she is? Eriri finds her foot forward when she decides to get better at drawing to win over Tomoya and satisfy her fans. The show doesn’t give a complete answer, but it gave her character a push forward.

School Babysitters menceritakan tentang Ryuuichi dan adik kecilnya Kotarou yang memutuskan untuk bergabung dengan sebuah klub sekolah unik dimana klub ini berfokus pada kegiatan menjadi bayi. Disini, sobat akan melihat bagaimana serunya para balita dalam menjalani keseharian mereka. Anime ini sangat cocok untuk kaum wanita penyuka genre Anime Shoujo Silakan ditonton, ya. Informasi Terkait School Babysitters Tokoh Utama Kotarou, Ryuuichi, Hayato Musim Tayang Winter 2018 Tanggal Tayang 7 Januari 2018 – 25 Maret 2018 Genre Comedy, School, Shoujo Skor 6,2/10 42. Sket Dance (2011) Sket Dance Tergolong sebagai salah satu anime school terbaik, jangan lewatkan keseruan kehidupan SMA beserta kegiatan klub lewat Sket Dance yang tayang 2011 lalu ini. Sket Dance berhasil memadukan tema school dan comedy yang mana keduanya mampu berpadu dengan baik. Siap-siap ngakak lewat Sket Dance, ya. Sket Dance sendiri menceritakan tentang sebuah klub yang dibentuk oleh para siswa sekolah menengah yang mana klub ini sering kali disebut sebagai klub yang aneh yang anggota yang aneh juga. Klub yang berfokus pada kegiatan sosial ini menampilkan berbagai adegan kocak antar anggota dan kegiatan yang mereka lakukan. List anime komedi masih banyak sob, nonton rekomendasi Anime Comedy Lucu Terbaik. Informasi Terkait Sket Dance Tokoh Utama Yuusuke, Kazuyoshi, Hime Musim Tayang Spring 2011 Tanggal Tayang 7 April 2011 – 27 September 2012 Genre Comedy, School, Shounen Skor 6,1/10 43.

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"Tokyo Ghoul:re Manga Ranks #6 on U. S. Monthly Bookscan October List". Anime News Network. Archived from the original on January 25, 2021. Retrieved August 3, 2022. June 2017: Sherman, Jennifer (July 14, 2017). "Tokyo Ghoul #13 Tops U. S. Monthly Bookscan June List". Anime News Network. "[72][182] Martin faulted both the artwork and the subtle differences in character design. "The artistry not only shows its age but, in fact, looks older than it actually is," the reviewer commented, "hearkening back to a day when digital coloring and CG enhancements were not ubiquitous and allowances for a rougher look were greater. " Opinions of the series' sound and music have been somewhat mixed. Martin positively noted the soundtrack as the strongest production point of Hunter × Hunter, and was satisfied with both the English translation of the script and Ocean's voice overs. [13] Tucker found the music satisfactory and improved as the series progressed, but did not think it lived up to its potential. [182] Kimlinger agreeably felt the musical score to be appropriate in most instances, but criticized the English dub as "a letdown since day one". [14][15] 2011 series[edit] Madhouse's 2011 adaptation was met with near-universal critical acclaim. Adrian Marcano from Inverse considered Hunter x Hunter 2011 to be one of the greatest anime series ever. He said that the anime set itself apart with one of the greatest story arcs in anime history in which the villain, not the hero, takes the anime to instant classic status. He also said that, "It is in the 2011 version where we see probably one of the best story arcs in anime history: the Chimera Ant Arc. "[183] According to Movie News Guide and Latin Post, the Madhouse's 2011 version received more viewers not only in Japan but also around the world, particularly in North America.