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Its usage was modeled after the western appropriation of the term shōnen-ai (少年愛, lit. "boy love") to describe yaoi works that do not feature sexually explicit content. [4] In Japan, the term shōjo-ai is not used with this meaning,[4] and instead denotes pedophilic relationships between adult men and girls. [14][15] History[edit] Before 1970: Class S literature[edit] Writer Nobuko Yoshiya, whose works in the Class S genre significantly influenced yuri Among the first Japanese authors to produce works about love between women was Nobuko Yoshiya,[16] a novelist active in the Taishō and Shōwa periods. [17] Yoshiya was a pioneer in Japanese lesbian literature, including the early twentieth century Class S genre. [18] Her works popularized many of the ideas and tropes which drove the yuri genre for years to come. [19] Class S stories depict lesbian attachments as emotionally intense yet platonic relationships, destined to be curtailed by graduation from school, marriage, or death. [17] The root of this genre is in part the contemporary belief that same-sex love was a transitory and normal part of female development leading into heterosexuality and motherhood. [20] Class S developed in the 1930s through Japanese girls' magazines, but declined as a result of state censorship brought about by the Second Sino-Japanese War in 1937. [21] Though homosociality between girls would re-emerge as a common theme in post-war shōjo manga (comics for girls), Class S gradually declined in popularity in favor of works focused on male-female romances. [22] Traditionally, Class S stories focus on strong emotional bonds between an upperclassman and an underclassman,[18] or in rare cases, between a student and her teacher.28 613K Add to My List Grisaia no Kajitsu 611572 7. 47 20141005 Grisaia no Kajitsu TV, 2014Finished 13 eps, 23 min Drama Romance Suspense Grisaia no Kajitsu Yuuji Kazami is a transfer student who has just been admitted into Mihama Academy. He wants to live an ordinary high school life, but this dream of his may not come true any time soon as Mihama Academy is quite the opposite. Consisting of only the principal and five other students, all of whom are girls, Yuuji becomes acquainted with each of them, discovering more about their personalities as socialization is inevitable. Slowly, he begins to learn about the truth behind the small group of students occupying the academy—they each have their own share of traumatic experiences which are tucked away from the world. Mihama Academy acts as a home for these girls, they are the "fruit" which fell from their trees and have begun to decay.
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