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[25] Because Japanese manga is read right-to-left, the artwork had to be flipped to read the other way. But the process was not as simple as mirroring, backgrounds had to be redone in order to remove the Japanese sound effects and reshape the word balloons to fit the Roman alphabet. [17] So Otomo went in and made substantial retouches and adjustments that are specific to the American version. [25] Japanese manga is largely in black and white, but it was decided to fully color the artwork in the English version of Akira to match most American and European comics. The coloring was done by Steve Oliff at Olyoptics, who was hand-picked for the role by Otomo after being introduced by Goodwin. [26] Otomo sent Oliff illustrations that he colored with markers as samples. [17] Oliff had also received slides from the anime film adaptation of Akira to use as reference. At one point, Otomo visited Oliff in Point Arena, California and worked alongside him for several days, but after the first 5 or 6 issues, Oliff said he was given free rein. [26] Oliff persuaded Marvel to use computer coloring. The coloring was more subtle than that seen before and far beyond the capabilities of Japanese technology of the time. It played an important part in Akira's success in Western markets, and revolutionized the way comics were colorized., Ltd. Archived from the original on December 16, 2020. Retrieved February 19, 2021. ^ みんなが選ぶTSUTAYAコミック大賞2017 結果発表!. Tsutaya (in Japanese). Culture Convenience Club. Archived from the original on March 18, 2022. Retrieved November 2, 2020. ^ Pineda, Rafael Antonio (December 6, 2018). "Detective Conan Manga Tops Da Vinci Ranking". Anime News Network.
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