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Archived from the original on October 26, 2023. Retrieved December 9, 2022. ^ "Dead Mount Death Play, Vol. 10". Yen Press. Retrieved May 3, 2023.

Takahata has his strengths, from his interest in realistic imagery to his sense of social responsibility as a director, yet here his style feels neutered to a point where little personality can be found in the directing. He’s not Miyazaki, but the film appears contempt in what it wants to achieve, never aiming for more than the core emotional attachment felt though the script. Each scene is carefully calculated, but never ambitious in their purpose. Even the cheerful moments only balance out the hell Seita and Setsuko are in, never acting as driving components for either character. The music also does little to help the experience move along, rarely ever effective in smoothing out transitions or amplifying sentiment in an authentic way. It unironically makes the most emotional moments come off more canned than real.

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[8][33][34][35] Nakazawa wrote and storyboarded episode 15, being credited as Uwadan Shimofuwato in the former role. [21][34] Nakazawa also acted as both character designer and chief animation director. The art director was Takeshi Waki, the storyboard director was Kazuki Akane, and coloring was led by Eri Suzuki. [8][33] Additional characters were created by Hideto Komori. [5] Weapon designs were co-created by Mahiro Maeda and Manglobe managing director Hidero Okamoto. [5][33] The cinematographer was Kazuhiro Yamada, with Syuichi Kakesu as lead editor. [33] Numerous guest creators were also brought in for different episodes as artists or animation directors, including Shūkō Murase Takeshi Yoshimoto, Naoko Nakamoto, Hiroyuki Imaishi and Tensai Okamura. [36] Concept and development[edit] The concept for Samurai Champloo was created by Watanabe in 1999, then known for his work on Cowboy Bebop. He wanted to create a series antithetical to the largely calm and mature atmosphere of Cowboy Bebop, wanting a complete change due to fatigue after working on one project for such a long period. [18][5] The success of Cowboy Bebop meant he was permitted to develop whatever he wanted for his next project. [37] As with his other projects, he drew inspiration from music, then matched a narrative to it. Plot[edit] Japari Park is a large zoo that is home to extant species, endangered species, extinct species, cryptids, and some legendary creatures. Due to a mysterious substance known as "Sandstar", many of the animals have become anthropomorphized into girls known as Friends (フレンズ, Furenzu). [3] The manga follows a park keeper named Nana who looks after the various characters in Japari Park. The manga is set earlier than the rest of the works in the franchise. In the Nexon mobile game, the park has been closed to visitors due to an outbreak of aggressive and amorphous creatures known as "Ceruleans", which the Friends have to battle with the help of the player and the park guide, Mirai. In the first season of the anime, which is set sometime after the mobile game, a girl wakes up in Japari Park with no recollection of who she is or how she got there.