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Unable to communicate with their fellow female students, the eager boys set their sights on a far more dangerous task: peeping into the girls' bath! It is only after their plan is thoroughly decimated by the infamous Underground Student Council that the motley crew find their freedom abruptly taken from them, as they are thrown into the school's prison with the sentence of an entire month as punishment. Thus begins the tale of the boys' harsh lives in Prison School, a righteous struggle that will ultimately test the bonds of friendship and perverted brotherhood. [Written by MAL Rewrite] StudioJ. C. Staff SourceManga ThemesGag HumorSchool DemographicSeinen 7. 60 1.

[18] Kage-e was popular during the Edo period and originated from the shadow plays of China. [18] Magic lanterns from the Netherlands were also popular in the eighteenth century. [18] The paper play called kamishibai surged in the twelfth century and remained popular in the street theater until the 1930s. [18] Puppets of the Bunraku theater and ukiyo-e prints are considered ancestors of characters of most Japanese animation. [18] Finally, manga were a heavy inspiration for anime. Cartoonists Kitzawa Rakuten and Okamoto Ippei used film elements in their strips.

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"[126] Following her "read-a-thoning" of the series, Katherine Dacey of The Manga Critic commented that she finished it with a "grudging respect for Fujimoto's excessive, ridiculous creation, which entertained and repelled me in equal measure. Your mileage will vary. "[127] Ian Wolf of Anime UK News gave the first volume a 6/10. Wolf wrote that the main feature of the series is the action sequences, but criticized the lack of depth in writing, concluding: "Chainsaw Man has some things going for it and hopefully may well build up from a promising start. "[128] Fujimoto's art style has also been commended. Collins praised Fujimoto's penmanship, stating that the "thickly-sketched lines on individual characters and still moments convey the rough edges of [its] world. "[122] Dupree lauded the series' art style, stating: "as the Devil enemies of the story grow more powerful, his imagination for bizarre, abstract, and genuinely unsettling visual storytelling reaches heights I've never seen in a Jump series before. "[121] Beckett called the character designs and general linework "a bit generic at first glance," but that when "the carnage comes flooding in," the series "has a clarity of style and consistency of vision that can be wondrous to behold. "[120] McNeil said that the character designs, other than Pochita and Chainsaw Man, are "not memorable," but that the art "really shines for the creepy Devils, the action, and especially the gore. "[124] Regarding the devils' designs, Dacey wrote that some are "uninspired" and that the most memorable ones are "clearly designed to elicit an appreciative 'ewww'". [127] Wolf stated that the art of the series "feels better than its writing," adding that visually, the action and fighting make the manga appealing. The only real character trait an important character had was the main boy who's trait is that he is horny. Main girl, heaven girl etc. , are all completely forgetable but for their designs (the designs clearly came before the characters). The side quests are really forgettable as well, all just exploring very basic and surface level themes. They were all just incredibly mediocre and poorly written.
The climax of this season is about the main girl's character.
Upon them joining, Ippo also learned that Taihei is Aoki's little brother, Taihei Aoki. When Ippo went fishing with Kumi, he showed her his bald head, which reminded her of "Baldychu". While training Taihei and Kintarō, they stop by the tree that Taihei did the leaf test under. When Taihei admitted that he cheated the leaf test, Ippo assured Taihei to just pour his heart and soul into boxing. After Ippo told a boxing lesson to his pupils, Miyata appeared before them. Miyata appears.