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She is
popular and normally takes charge of situations. She has a kind facade, but is secretly a narcissist, believing that everyone should love her, and wants to be the victim in every problem she faces. Though she does not directly bully Shouko, Kawai does nothing to intervene and even laughs alongside her friends. She leads the class in scapegoating
Shoya after Shoko's transfer, leading to his isolation. In high school, Kawai joins Shoya's friend group, bringing Mashiba, whom she has a crush on, along. Instead of facing that she contributed to Shoko's bullying, she once again uses Shoya as a scapegoat and plays the victim, leading to him falling out of his new friend group. However, the consequences fall back on her when her classmates become disgusted and bully her after she suggests they make paper cranes as a wish of recovery for Shoya, who is hospitalized after saving Shouko. Having experienced getting bullied for the first time, Kawai resolves to become more empathetic with others. Near the end of the series, she decides to follow Mashiba to take up teaching classes. Miyoko Sahara (佐原 みよこ, Sahara Miyoko) A kind girl from Shoya and Shoko's elementary school. She is the only student willing to make an effort to learn sign language and befriend Shoko.
Ensuite, l’abonnement est de 5 euros par mois.
Wakanim vous offre un streaming en HD sans limite, une
diffusion juste après la diffusion au Japon, une application pour regarder sur n’importe quel appareil, et une diffusion sans publicité à 100 %. Si vous ne voulez pas souscrire à un abonnement mensuel, vous pouvez regarder vos animes à 1 euro l’épisode. Le streaming gratuit est limité à une résolution moyenne de 480p avec des publicités. 3-Netflix (Payant) Netflix. com Ne soyez pas surpris de voir Monsite dans cette sélection de sites d’animés. Netflix vous propose un contenu d’animés de qualité même si son catalogue n’est pas encore complet. La plateforme de Netflix vous propose des exclusivités. Puisque c’est une plateforme payante, il existe plusieurs types d’abonnements selon vos préférences. Netflix reste le leader mondial du streaming de séries et vous offre des animés de science-fiction appelés « animés mécha ». On trouve aussi que Monsite produit lui-même des animés comme The Seven Deadly Sin et Knights of Sidonia.
It glorifies the main character's mental breakdown, turning it on and off at the whims of the scriptwriters. With
something as easy as a pep talk and hug from LoveInterest#2 being all that's needed to make things better, it's really hard to justify the "psychology" that Re:Zero boasts about.
Want to truly show a mentally broken state? Then have the line between past existence and current life be obscured with each reincarnation, and don't fix it. Just imagine how amazing it would be if the memories of all respawned events were compressed upon each rebirth, to the point where Suburu is no longer aware of the difference between them. It would truly demonstrate the anguish that Suburu suffers through by making the consequence something that's not only visual for the viewer but also something that implies that deeper layer that the show so desperately seeks to obtain. Instead of simply being the laminated copy, it could have been like other animated works that truly dive deep into this concept, such as Satoshi Kon's Millennium Actress and Perfect Blue. Both featured films containing women who slowly lose their minds and grips on reality as they descend further into a fever
dream of delirium and jumbled memory. It didn't just carry around psychology like some fashion accessory, but it made it a very real thing for the viewers looking on and the characters that took the plunge into the never-ending spiral of irrational flatlining.
See that the protagonist suffers a loss that he can't simply fix with a jump off a cliff. Have stakes. If respawning to checkpoints is the only way to advance the narrative, the very least the creators could do would be to place Suburu at the crossroad of a decision that would allow advancement only if someone else were to perish.
