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[113] Becket felt the animation style had aged poorly, though giving praise to the art style and fight sequences. [111] The music met with general praise for its use and style. [3][110][111][112][113] Becket additionally praised the English dub. [111] The mixture of traditional elements with hip hop met with some mixed responses. Halverson was enthusiastic about them and called the hip hop representation superior to many Western portrayals. [112] Robinson also enjoyed them, noting that they kept the anime from being too much like Cowboy Bebop. [3] Browne enjoyed the contemporary visual references used alongside the Edo setting, but faulted the show's reliance on them. [110] By contrast, Bonaminio cited its sense of style and unique blend of elements its greatest strength. [113] As part of a 2007 retrospective article on Geneon Entertainment, David Smith of IGN called it one of the best anime published by the company during its lifetime, saying it was almost perfect in what it did and stood out from other Geneon properties. [73] Mike Dent of Otaku USA Magazine, writing in 2015, praised the music for adding to each episode's atmosphere, in addition to its animation quality and writing. [4] In a 2019 retrospective for Anime News Network, Matthew Roe states "the mixture of hip-hop aesthetics and classic samurai tropes seems like a more awkward fit than Bebop's effortless fusion of jazz and science fiction" and further criticized a lack of emotional resonance, but felt the direction of Watanabe and Manglobe kept the series going.

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The O'Colly. Archived from the original on February 16, 2024. Retrieved February 16, 2024. ^ Motamayor, Rafael (March 31, 2023). "Blue Lock Season 1 Review". Anime News Network. Archived from the original on May 3, 2019. Retrieved January 4, 2015. ^ "No Game No Life sur ADN" (in French). Manga-News. com.
VOIR, précédé du verbe Faire, signifie Montrer, faire connaître. Il fit voir sa blessure au chirurgien. Je vous ferai voir toutes les curiosités de la ville. Cet homme aime beaucoup à se faire voir. Il cherche toujours à faire voir son esprit. Il a fait voir qu'il avait du cœur. Cela vous fait voir que.
Il s'emploie aussi, dans un sens analogue, avec le verbe Laisser. Laissez-moi voir ce tableau, ce bijou.
P. Lovecraft's Cthulhu Mythos, and called Miura a "splendid storyteller whose artwork is stark and bold enough to bring the world of Guts to life magnificently. "[224] Writing for IGN, Bruna Penilhas commented that Miura's level of detail in his illustrations is "impressive from start to finish," praising the design and features of his characters, adding that he was able to "perfectly illustrate characteristics and feelings such as pain, anger and sadness. "[239] Alex Traub from The New York Times commented about the comparison of Miura's drawings to Hieronymus Bosch's paintings, particularly for Miura's images of "little human figures occupying sweeping fantastical landscapes," adding: "Mr. Miura was known for his spectacular, apocalyptic style; specific images—a humongous sword, a monster cloaked in shadow—are immediately recognizable to his fans. "[240] Legacy[edit] Berserk is regarded as one of the most influential dark fantasy works. [241][242][243][244] Peter Fobian, in an essay of the legacy and impact of Berserk, called it a "monolith not only for anime and manga, but also fantasy literature, video games, you name it," comparing its level of influence to Blade Runner, further adding: "it's difficult to imagine what the world might look like without it, and the generations of creators the series inspired. "[230] According to writer and editor Kazushi Shimada, series like Fullmetal Alchemist, Attack on Titan, Demon Slayer: Kimetsu no Yaiba or Jujutsu Kaisen would not have existed if not for Berserk. [245] Some dark fantasy manga authors who have declared influence from Berserk include Hajime Isayama (Attack on Titan),[246] Kazue Kato (Blue Exorcist),[247] and Yana Toboso (Black Butler). [248] Other authors influenced by Berserk include Makoto Yukimura (Vinland Saga),[249] Yūki Tabata (Black Clover),[250] and Ryōgo Narita (Baccano! and Durarara!!). [251] Adi Shankar, producer of the Castlevania animated series, said in an interview that he would like to adapt Berserk, calling the "hyper-detailed beauty" of Miura's artwork a "true masterpiece",[252] while Adam Deats, Castlevania assistant director, stated that the show was inspired by Berserk.