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Though Suzume never feels fatalistic or at risk of becoming lost in the darkness of its metaphor, it also never lets you forget that each and every single instance of the worm bursting through a portal carries the risk of causing a calamity like the real-world 2011 quake. But one of the most powerful concepts woven throughout the film is how the key to keeping the darkness at bay isn’t preparedness or simply responding with magical force but, rather, holding space and having a deep reverence for the past and all it can teach us about the present. There’s a certain degree of random and somewhat twee energy coursing through Suzume as it’s first laying out the series of events that leaves Sōta transformed into a walking, talking, child-size chair who needs Suzume’s help tracking Daijin across Japan’s various islands. But there’s a subtle brilliance to the way the movie uses the duo’s journey to illustrate different facets of its larger ideas about the past, memory, and growing up. In Suzume, Shinkai’s signature use of oversaturated colors and playing with light to give natural settings an almost otherworldly splendor is in full force. Here, though, it works more to emphasize the beauty there is to be found in everyday, ordinary places and happenings when people slow down to appreciate them as the things that make life worth living. At times, it’s almost disorienting how seamlessly Suzume’s able to shift gears and become more of a coming-of-age story about a girl learning to make her way through the world both on her own and with the help of unexpectedly kind strangers. But instead of ever feeling like it’s veering off course, Suzume’s paced in such a way that makes its brief tangents into the lives of other characters feel like it’s taking the scenic route on the way to a truly moving finale. Those showing up to Suzume hoping to see a completely new side to Shinkai might be somewhat disappointed because, in everything from its sun-drenched depictions of the Japanese countryside to its deeper metaphorical meanings, you can see how the movie’s the result of his doubling down on the things that light him up as a filmmaker. But that doubling down is also what makes Suzume feel like one of Shinkai’s strongest outings yet that’s almost certain to become even more of a classic with its wide release. Suzume hits US theaters on April 14th.

Though Suzume never feels fatalistic or at risk of becoming lost in the darkness of its metaphor, it also never lets you forget that each and every single instance of the worm bursting through a portal carries the risk of causing a calamity like the real-world 2011 quake. But one of the most powerful concepts woven throughout the film is how the key to keeping the darkness at bay isn’t preparedness or simply responding with magical force but, rather, holding space and having a deep reverence for the past and all it can teach us about the present. There’s a certain degree of random and somewhat twee energy coursing through Suzume as it’s first laying out the series of events that leaves Sōta transformed into a walking, talking, child-size chair who needs Suzume’s help tracking Daijin across Japan’s various islands. But there’s a subtle brilliance to the way the movie uses the duo’s journey to illustrate different facets of its larger ideas about the past, memory, and growing up. In Suzume, Shinkai’s signature use of oversaturated colors and playing with light to give natural settings an almost otherworldly splendor is in full force. Here, though, it works more to emphasize the beauty there is to be found in everyday, ordinary places and happenings when people slow down to appreciate them as the things that make life worth living. At times, it’s almost disorienting how seamlessly Suzume’s able to shift gears and become more of a coming-of-age story about a girl learning to make her way through the world both on her own and with the help of unexpectedly kind strangers. But instead of ever feeling like it’s veering off course, Suzume’s paced in such a way that makes its brief tangents into the lives of other characters feel like it’s taking the scenic route on the way to a truly moving finale. Those showing up to Suzume hoping to see a completely new side to Shinkai might be somewhat disappointed because, in everything from its sun-drenched depictions of the Japanese countryside to its deeper metaphorical meanings, you can see how the movie’s the result of his doubling down on the things that light him up as a filmmaker. But that doubling down is also what makes Suzume feel like one of Shinkai’s strongest outings yet that’s almost certain to become even more of a classic with its wide release. Suzume hits US theaters on April 14th.

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5/100
A huge shame honestly, 9 long years, and this is what fans got. Should this season have been made in the first place? Yes and no. There’s some nostalgia to be had here, but not much more than that, and with the supposed bad LN ending that fans were talking about from what I heard, right now, this series is in the mud, and that’s just incredibly unfortunate. Reviewer’s Rating: 4 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by Mcsuper (111) Show allRead moreShow lessOpen Gift Report
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More newsRecent NewsNorth American Anime & Manga Releases for July Here are the North American anime, manga, and light novel releases for July. Week 1: July 4 - 10 Anime Releases Obey Me! Season 2 (Obey Me! The Anime: Season 2) Comp. read more Jul 6, 2023 9:58 AM by Aiimee | Discuss (3 comments) 'Hataraku Maou-sama!!' Anime Sequel Announced for 2023 The 12th and final episode of Hataraku Maou-sama!'s (The Devil is a Part-Timer!) second season announced on Thursday that an anime sequel is in production. The . ^ "Is That Another JoJo Reference?! JoJo's Bizarre Adventure References in Non-Anime Media!". Crunchyroll. November 30, 2018. Archived from the original on December 2, 2018. Retrieved December 2, 2018. ^ "Scientists Named Microscopic Creature After JoJo Stand".
Email SEND PASSWORDCANCEL if (typeof(adgrouplist) != "undefined") for (var i = 0; i < adgrouplist. length; i++)var obj = (arr[i]);addtogroup(obj. lid, obj, gid, obj. aid, obj. tid);); Chair Rodgers Announces Full Committee Markup on Protecting American Data and National Security from Foreign AdversariesSkip to main contentSubscribeMembersSubcommitteesCalendarNews & MediaAboutMembersSubcommitteesCalendarNews & MediaAboutNews/Press ReleaseShare onChair Rodgers Announces Full Committee Markup on Protecting American Data and National Security from Foreign AdversariesMar 05, 2024Press ReleaseCommunications & TechnologyInnovation, Data, & CommerceHearingsMarkupsWashington, D. C.