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7古見同學是溝通魯蛇7. 0出租女友7. 7五等分的新娘7. 6小智是女孩啦!8. 0青春豬頭少年不會夢到兔女郎學姊8. 1堀與宮村7. 7殭屍100~在成為殭屍前要做的100件事~7. 7歡迎來到實力至上主義的教室8. 0青春豬頭少年不會夢到兔女郎學姊9. 0葬送的芙莉蓮StorylineEditDid you knowEditTriviaThe title has 2 possible meanings Oshi means "to Push" or Support. Ko is usually used to refer to a person or a Girl.

Re:Zero falls victim to sensationalizing things that it thinks would be considered poignant, as is the case with most shows that are said to 'subvert' the formula they're a part of. And by doing so, it indirectly counteracts that notion. A narcissistic protagonist being humbled by the realization that life doesn't revolve around him isn't a great revelation if the show goes out of its way to constantly point it out. Being mentally exhausted from the toll of dying constantly isn't eye-opening if the show literally has to tell you it is. Subtext ceases to hold meaning if the creators have a habit of making its intent obvious. This is the problem that many high-strung shows have, where they don't trust the viewer to pick up on the clues themselves. 2001: A Space Odyssey wouldn't be praised as a sci-fi classic if it had its ideas being pointed out with Blue's Clues paw prints. Se7en wouldn't be a great mystery/thriller had Dora the Explorer show up as a movie guide. Point being, good subtextual content is only good if the creators don't over-extend their control over how easy it's discovered.
Like Erased from winter 2016, Re:Zero's attempts at something far beyond it only backfires when this issue plagues every facet of its existence. It's trying to be symbolic; it's trying to interweave motifs; it's trying to create intrigue; it's trying to tinker with psychology.

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Production[edit] Development[edit] A Japanese live-action adaptation of Yoshihiro Togashi's YuYu Hakusho manga was announced by Netflix on December 16, 2020. Netflix contents acquisition director Kaata Sakamoto serves as executive producer and Akira Morii produced the series at Robot. [1][2][3] Netflix signed a multi-year contract with Toho Studios to lease two of their Tokyo stage facilities, and YuYu Hakusho is their first production there. [3] On July 15, 2022, it was reported that Shō Tsukikawa would serve as series director, with Tatsurō Mishima handling the scripts and Ryō Sakaguchi serving as the visual effects (VFX) supervisor. [4] Tsukikawa, who was a fan of the original series as a child, felt that combining the entertaining aspects with the story's serious themes would make for an interesting live-action series. [5] Togashi gave Netflix and the showrunners creative freedom; Sakamoto said the original creator's only request was for them "to ensure a great quality adaptation. "[5] Tsukikawa stated that there was an initial idea to tell the story of YuYu Hakusho in three seasons, "But realistically, we didn't know how long that was going to take, so we ended up doing five episodes and just showing part of the long, epic story". [6] According to Sakamoto, the show took almost five years to complete; two years of pre-production, more than 10 months of filming, and another two years for post-production. [5] The show's creators revealed that because YuYu Hakusho's fantasy premise and supernatural action make it a VFX-heavy title, production companies were afraid to take on the project. [5] Even when Tsukikawa was brought on board, he thought it would be an impossible project to materialize. [5] Due to the large amount of VFX, eight such companies worldwide contributed to the show. Archived from the original on December 23, 2019. Retrieved July 4, 2020. ^ Loo, Egan (September 3, 2019). "One Piece Manga Creator Eiichiro Oda: I Want to End Story in 5 Years". Anime News Network. Archived from the original on December 6, 2019. Retrieved January 12, 2023. ^ Hodgkins, Crystalyn (December 5, 2020). "Demon Slayer Tops Da Vinci Manga Ranking". Anime News Network. Archived from the original on February 17, 2021.