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^ a b "BAFTA Children's in 2011". British Academy of Film and Television Arts. Archived from the original on 28 January 2016. Retrieved 2 August 2013. ^ Goodacre, Kate (21 March 2012). "Royal Television Society Programme Awards 2011: The winners in full". Digital Spy. Hearst Magazines UK. Archived from the original on 25 August 2013. Retrieved 2 August 2013. ^ a b c d "39th Annie Awards".

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[175][206] The series also had a strong influence on anime, at a time when the anime industry and televised anime series were in a slump period. [160] CNET reviewer Tim Hornyak credits the series with revitalizing and transforming the giant mecha genre. [207] In the 1980s and 1990s, Japanese animation saw decreased production[208] following the economic crash in Japan. [209] This was followed by a crisis of ideas in the years to come. [210] Against this background, Evangelion imposed new standards for the animated serial, ushering in the era of the "new Japanese animation serial",[211] characterized by innovations that allowed a technical and artistic revival of the industry. The production of anime serials began to reflect greater author control, the concentration of resources in fewer but higher quality episodes, typically ranging from thirteen to twenty-six, a directorial approach similar to live film, and greater freedom from the constraints of merchandising. [212] Two cosplayers portraying Asuka Langley Soryu and Rei Ayanami. The franchise has been credited as a conduit for making cosplay a worldwide phenomenon. [213] According to TV Tokyo's Keisuke Iwata, the global spread of Japanese animation dramatically expanded due to the popularity of Evangelion. [214] In Japan, Evangelion prompted a review of the cultural value of anime,[215] and its success, according to Roland Kelts, made the medium more accessible to the international youth scene. [216] With the interest in the series, otaku culture became a mass social phenomenon. 13 Nao Tōyama (Honami Ichinose) 5. 14 Mikako Komatsu (Mio Ibuki) 5. 15 Yūichirō Umehara (Manabu Horikita) 5. 16 Konomi Kohara (Akane Tachibana) 5. 17 Rina Satō (Sae Chabashira) 6 Calendar Illustration Project 7 Promotional media 8 Notes & References 9 External Links 10 Site Navigation Synopsis In the not too distant future, the Japanese government has established the Tokyo Metropolitan Advanced Nurturing High School, dedicated to instruct and foster the generation of people that will support the country in the future. The students there have the freedom to wear any hairstyle and bring any personal effects they desire. Our protagonist is Kiyotaka Ayanokōji, a quiet, unassuming boy who is not good at making friends and would rather keep his distance. He is a student of D-Class, which is where the school dumps its inferior students in order to ridicule them. After meeting Suzune Horikita and Kikyō Kushida, two other students in his class, Kiyotaka's situation begins to change. Season 1 Official anime adaptation logo. Production Main article: List of Animation Credits On May 1, 2017 the press release for the anime series was announced with Seiji Kishi and Hiroyuki Hashimoto serving as its directors.
Metacritic. Archived from the original on 21 August 2018. Retrieved 14 July 2018. ^ "Danganronpa 2: Goodbye Despair Reviews". Metacritic. Archived from the original on 8 December 2016.