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An adaptation of the Japanese manga series of the same name by Hirohiko Araki, the series focuses on the mysterious adventures of the Joestar family across generations, from the end of the 19th century to modern times. The series was first broadcast on Tokyo MX before entering syndication on 4 JNN stations, BS11, and Animax. The first season, adapting the first two parts, Phantom Blood and Battle Tendency, aired in Japan between October 2012 and April 2013. The series is distributed in North America by Warner Bros. Home Entertainment and Viz Media, with the former handling the series on DVD and the latter handling the series on Blu-Ray and the merchandising rights. In the United States, it aired on Adult Swim's Toonami programming block starting in October 2016.

Retrieved April 11, 2015. ^ "Samurai Champloo on TV. com". TV. com. Archived from the original on May 24, 2014.

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However, a series with a similar name (Chin-Yu-Ki) had already begun publication, so Togashi quickly created an alternative: "YuYu Hakusho" (Poltergeist Report). [10] He commented that he could have used "Den" (Legend) or "Monogatari" (Story), but "Hakusho" (Report) was the first thing that came to his mind. [11] He contiguously developed the names of the main characters by skimming through a dictionary and taking out kanji characters he found appealing. "Yusuke Urameshi" is a pun, "Kazuma Kuwabara" is a combination of two professional baseball players, and "Hiei" and "Kurama" are "just names that popped into [Togashi's] head. "[8] When he introduced the latter two characters in volume three, the author had early plans to make Kurama a main character but was not certain about Hiei. [7][8] The manga's shift from occult detective fiction to the martial arts genre after Yusuke's death and revival in the early chapters was planned by Togashi from the beginning. [8] He took this idea from the series Kinnikuman, which began largely as a comedy before concentrating more on action. [7] Togashi's intention was to establish the main characters and familiarize the reader with them before placing them in tense, physical conflicts. His editor at the time was nervous of him beginning the manga this way and recommended he transition to a battle-focused plot after about 30 chapters. [7] YuYu Hakusho borrows many elements from Asian folklore, particularly Buddhist beliefs in the afterlife. [2][5] Togashi came up with the concept of the Ningenkai (Human World), Reikai (Underworld), and Makai (Demon Plane) as being parallel planes of existence in the manga's universe. More importantly, however, is that this entire premise is made all the more laughable by the fact that it’s based on the dopey contrivance of Eris’ unrealistically stupidly written letter and irrational decision to abandon Rudeus. The author struggles to write believable character flaws. Thus, the story here is not only nonsensical, unengaging, moves at glacial speed and is tonally dissonant from pre-established plot-points, but its very foundation is contrived and it should never exist. In fact, the erectile dysfunction arc is so bad and borders on filler that the manga skipped it entirely and reduced it to supplemental content. And the worst part about all this is the resolution through familiarity - operating on the aforementioned hentai logic that in any other story would read as a cop-out if this entire arc wasn’t just an excuse to add a collectable to the expansive harem.
As I said, this season only serves to expand Rudeus' forced harem because that is the type of series Mushoku Tensei ultimately is - a generic power fantasy harem of which the fantastical elements merely orbit.
Konami. Archived from the original on February 2, 2007. Retrieved February 3, 2007. ^ a b Loo, Egan (December 17, 2007). "Promo Video for Death Note's L Prequel Game Streamed (Updated)". Anime News Network.